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The Great American Slip Up

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Vintage Illustration suprised girl

Vintage Illustration 1951

Americans seem to love the opportunity to embarrass themselves…almost as much as we love to watch ‘em.

And if there is money involved so much the better.

Between the internet and reality TV the possibilities for voluntary public humiliation are endless, satisfying an insatiable audience salivating for some slip up.

But long before the existence of these platforms for disgrace, the mid-century masochist longing for public mortification had ample opportunity to air their shortcomings to the world.

Thanks to the mad men of Madison Avenue there were no shortages of cringe-worthy, shame based ads.

Social Slip Up

One need look no further than a series of true confessional ads run by Mary Barron Slips in the late 1940’s and early 1950′s entitled “When a slip becomes a social error.”

You could make a fool of yourself and win 50 bucks to boot just by submitting your most embarrassing “slip” moment to the lingerie company.

The lucky winner would have her cringe-worthy story printed in one of its ads so that everyone could chuckle at her major gaffe.

 

vintage illustration girl walking dog

Vintage Illustration Coby Whitmore Ivory Snow ad 1946

Once upon a time nothing mortified a lady more than hearing those 4 dreaded words: “Your slip is showing.” Like a slap in the face, it was enough to make you want to hide your head in shame.

The Mary Barron ads were cautionary tales from regular gals from all across the country and there was no shortage of woeful stories recounting embarrassing moments.

vintage illustration man and woman dancing 1951

Ominous headlines such as “Don’t Risk Slip Skid,” told the tale of a tragic young lady whose social faux pas made her the laughing-stock of a party. The humiliated miss from Harrisburg Pa. learned the hard way that an exposed slip “could take you from belle to burlesque in one uneasy moment.” That is until she wised up and bought a Mary Barron slip which would keep her safe from undergarment  twists and slips.

Danger Lurks

Apparently without the proper fitting slip the world was a dangerous place full of potential cringe-worthy slip ups. Innocently exiting a bus, seated at a lunch counter, even posing for a snapshot were fraught with potential awkwardness for the unsuspecting gal.

There was the  goof  shared by a girl from Gary having her photo taken when “W-w-h-h-h-sh –came the breeze…c-l-i-c-k went the shutter- up went eyebrows ( and our pretty model’s color) for a too revealing photograph. Now she knows about and wears a Mary Barron biastraigt slip guaranteed to stay in place.”

 

Lingerie ad slips Mary Barron 48

Vintage Ad Mary Barron Slips 1948

 

This ad from 1948 was based on the embarrassing episode submitted by one pitiful Miss Jean Williams. The perky coed from Lambert Mississippi shares her tale of woe- how the glory of being crowned Home coming Queen could be totally ruined when she experienced the slip up of a lifetime.

The cautionary tale of her social error goes like this:

The jeering section saw the slip up. So did the captain and the student body. Not even the Queens crown could offset poor jeans embarrassment. As she knelt, her slip climbed above her knees.

Impossible we learn, if she were only wearing a Mary Barron slip!

 

photo vintage woman holding money

Image from Vintage ad Old Dutch Cleanser

Hopefully with her $50 prize money red-faced Miss Williams will dash out immediately to her local dress shop and purchase a new Mary Barron slip

Made from that new combination miracle fabric Nylon Rayon Radium…it was the perfect material for any Atomic Age Miss.

It seems sharing a humiliating story for money is timeless…I guess there’s no shame in that!

 

© Sally Edelstein and Envisioning The American Dream, 2014. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sally Edelstein and Envisioning The American Dream with appropriate and specific direction to the original content.

 

 

 

 

 



The Occidental Oriental

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Food Chun King  ad housewife 1950s holding cans

Vintage Ad Chun King American Chinese Food 1957

My Mom was one smart cookie…fortune cookie that is.

When my mid-century Mom wanted to go exotic..she’d go Oriental and thanks to Chun King canned chow mein it was cantoneasy !

Like many mid-century housewives, when she wanted to add some exotic glamor appeal to our family meals, a trip to the Orient was as nearby as her electric can opener.

Oriental Express

vintage illustrations Food Chinese  American family

Go Chinese tonight for a quick change of pace with real glamor appeal

Confucius say: When family tire of tuna noodle casserole, bore with hum drum meatloaf wake up family taste buds with trip to exotic Orient right in comfort of your suburban split level.

Serving Oriental was a real walkee on the wild side according to this Chun King ad:

Food chinese Chun King ad vintage 1950s

Vintage ad Chun King 1957

“For something to surprise…to thrill your family or guests, switch your thinking completely.”
“Forget about little twists in ordinary, everyday kinds of foods. Put yourself in an Oriental mood.”
“Here’s your new idea….Chun King Chicken Chow Mein. Wake your family up with a complete menu change and its only about 30 cents per person.”

Best part was- no rickshaw needed for this taste treat!

La Choy Makes Chinese Food Swing American

vintage chinese food ad  la choy 1955

Vintage La Choy ad 1955

The granddaddy of American Chinese Food was La Choy who promised You could perform oriental magic with their Dinner in a package for a real Cantonese feast!

vintage illustration chinese chef

Vintage la Choy American Chinese Food ad 1955

La Choy founded in 1922 beat Chun King by over 2 decades. The company had capitalized on the growing fascination America had with the Orient including an entirely new cuisine.

vintage Food La Choy ad

Vintage La Choy ad 1953 For those daring you could prepare your own Chow Mein using La Choy ingredients

Chef La Choy say: Speciar occasion You no wolly!

Food Chinese la Choy ads illustration chinese chefs

” Your Turn for bridge lunch? Serve la Choy Chop Suey! As a pleasant change from the usual party dishes give the girls savory La Choy Cop Suey. It’s bound to be a crowd pleaser!”

Chow Mein Challenged

illustration chinese chef vintage

Vintage ad 1955

In advertisements we would never see today, these American Chinese food companies ran ad campaigns that were sorely in need of Steven Colberts now shuttered satirical Ching Chong Ding Dong Foundation of Sensitivity to Orientals or Whatever.

Egg Foo Yung On Their Face

Chock full of Asian stereotypes and pidgin English, the ads barely raised an eyebrow.

That’s how the fortune cookie crumbles, a nonplussed, non pc public shrugged!

No Speekee Engrish

vintage illustration chinese chef

Vintage ad 1948

Mid century Americans had a real ten for the exotic as long as it was on their terms. Next to hot dogs and coca cola nothing was more American than a plate of chow mein or a bowl of chop suey.

In the great American melting wok nothing was more red white and blue than a divider pak can of Chun King Chow Mein, the American Chinese food company founded by the son of Italian immigrants

The post war pioneer of foreign ethnic food Jeno Paulucci ( of Jenos pizza roll fame) founded Chun King in 1947.

With Six You Get Egg Roll

vintae illustration couple in chinese restuarant

Vintage Saturday Evening Post Cover 1/12/52 Illustration by Alajalov .”Here are 3 grades of chopstickers” the copy explaining the cover art begins. “The female tyro is about to knit one wad of chow mein and purl 2. The sailor considers himself quite a man with chopsticks and lets hope they don’t slip and toss against the lady’s face. As for that chap who was practically born with chopsticks in his mouth, he is thinking Do I ask the guy if he can drink tea with chopsticks or just let the bush leaguer get away with this?”

 

At the time, going oriental meant eating out in a Chinese restaurant. In those days American homemakers only contact with mysterious East might be a thrilling trip to Chinatown.

Going out for Chinese food, sophisticated young moderns could eat such an exotic dinner secure in the belief that they were getting something excitingly foreign yet completely familiar. Seated in the dark red banquette, fumbling with chopsticks they could choose strange-sounding delectables-  one from column A  two from column B.

photo 1950s couple in chinese restaurant

Like much of our so-called foreign cookery at the time, Chinese food would not have been recognizable in the country of its assumed origin. Along with a lack of availability of popular Chinese ingredients here in the US they also needed to adapt the food to make it palatable to Americans.

Chop Suey for the Suburbs

vintage illustration family in kitchen

“Solving that problems of getting variety in your family meals- savory Chinese Chop Suey is one good answer. Try it on the head of the house tonight then be prepared for compliments by the male!”

After WWII post war Americans were primed to chow down on chop suey in the comforts of their own homes and Jeno Paulucci saw the possibility of a huge market of convenience foods.

With borrowed money and the purchase of 25 pounds of bean sprouts, he began production in a converted WWII Quonset hut in Duluth Minnesota.

“And if you’re thinking that no chow mein fixed at home can come up to the fine Cantonese restaurant kind, then you don’t know a thing about the Chun King Divider-Pak way,” boasted the early ads.

Ciao Mein

Food Chinese Canton Easy

Vintage American Chines Food Ads 1950′s

Authenticity was not the point. Ease and convenience with a heavy dose of familiarity

Ignoring Ancient Chinese Secret, Pauluucci, came up with his own chop suey recipe by canning his sprouts and adding bits of celery, pimentos and an authentic Italian herb mixture suggested by his Italian mother.

Years later at a ceremonial dinner for National Italian American Foundation in 1976 President Gerald Ford remarking on the success of Chun King ,the royalty of American Oriental food,commented : “What could be more American than a business built on a good Italian recipe for chop suey?”

Surprise the Occidental is Oriental

vintage food chung king ad

Vintage Chun King American Chinese Food Ad 1950s

The thought of Chinese food in your own home was thrilling

‘In fine Oriental restaurants and now at home-you feel the romance of food.” began one ad.
” The most romantic place in town to eat is where the food is Oriental. And tonight at home you can enjoy foods as delicious as those in fine Cantonese restaurants. Give your family a Chun King meal.

“Now, right in your own home- and with very little work- you can treat your family to a complete oriental meal,” they gush incredulously. “An exotic authentic meal such as you could only have enjoyed at a fine Oriental restaurant.”

vintage illustration chun king divider pack

“Because of Chun Kings exclusive Divider Pack, the interesting flavors contrasting textures and bright colors that make Oriental foods so distinctive are protected for you. Combine the contents of both cans heat for 15 minutes and your chow mein is ready.”

“You can do it because some store near you has Chun Kings delicious American Oriental foods..

Me So Busy You So Lucky

Food Chun King cantonese frozen dinner illustration chinese chef

Vintage Chun King Ad 1957

 

Of course with the pace of modern life speeding up you could be just too darn tired to open the divider pack cans, Chun King came to the harried housewife’s rescue with their frozen entrees making dinner snap!

Have a Cantoneasy Kitchen Holiday

Food Chun King Frozen Food vintage ads

Vintage ads Chun King Frozen Dinners 1957

Hop in your Rickshaw and head to your latest supermarket and stock up on Chun King Frozen Foods

“A Complete Oriental meal all  ready to pop in the oven! Just like a fine Cantonese restaurant…an Oriental meal with no work for you”
“One picture is worth 1000 words say Chinese proverb. Doesn’t this new Chun King Cantonese Dinner look good?”

Spoon Fed Stereotypes

To end the exotic oriental meal, Mom always served us Jell-O.

Unlike poor Chinese baby in Jello commercial who tried using chopsticks to eat the jello his “mother bling him” we used “great western invention” the spoon, confirming that racist stereotypes can be spoon fed too!

 

© Sally Edelstein and Envisioning The American Dream, 2014. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sally Edelstein and Envisioning The American Dream with appropriate and specific direction to the original content.

 

 

 


A Retro Fathers Day Fit for a King

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art & advertising vintage illustration father with crown for fathers day1940s

Fit For a King

Once upon a time, but not too long ago, all Dads were king.

Not only for a measly third Sunday in June, but to believe the mid-century American advertiser, the head of the household was the sovereign ruler of his suburban dominion the year round.

But it was on that special date proclaimed Fathers Day, a day filled with pageantry and celebration, that all his subjects paid homage bearing royal gifts worthy of his majesty.

Photograph vintage 1950s familyserving  father with crown on Fathers Day

When I was growing up in the 1950′s and 60′s, Father’s Day was a day of protocol, precedent and custom.

Truth be told, in our house my father was known more as the Queen’s Husband than as Sovereign ruler, not unlike England’s Prince Phillip.

But not on Fathers Day, when his throne was never more secure nor its occupant more firmly rooted in his subjects affections.

A Suburban Fathers Day

While Mom was busy washing the dishes from the royal breakfast feast, our King for a day, his most excellent majesty, Marvin, sat in regal isolation in his Naughahyde  Barca-Lounger throne.

With a Kaywoodie briar pipe as his scepter, resplendent in his Dacron wash ‘n wear pajamas, he wore a crudely constructed cardboard crown given as a promotion from Big Al’s Appliance Store atop his prematurely balding head.

 

vintage illustration 1940s children giving Father day gifts to father

Contently he basked in the glow of the day as presents were offered on bended knee, displayed before him for his approval.

Nothing said “Thanks, Pop” like a splendid no-wrinkle Acrylan mu-mu sport shirt with authentic south sea prints. Who said  a ruler couldn’t be a snappy pappy?

What was more worthy of a king than a distinguished pair of fairway themed cotton boxers with golf balls and nine irons cleverly printed across the fabric?

Every imperial leader needed a touch of bracing after-shave now and again, the woodsy aroma the very finest in masculinity, whose daily use helped give the royal face a clean magnetic masculine air.

vintage Illustration art 1950s father in hamock and 1950s father and son

Vintage Fathers Day ads for McGregor Men’s Sportswear 1950′s

vintage illustration art& advertising 1940s fathers and family recieving fathers day gifts

(L) Vintage ad 1948 Textron Menswear “Let the King Have His Fling in Textron Menswear” (R) “When Dad is King For a Day” Vintage 1948 ad Reis Underwear

vintage Father Day ads 1940s

(l) Vintage Fathers Day ad Seaforth Men’s Grooming Products 1946  (r) Vintage ad Fathers Day Spiedel watch bands 1946

vintage 1950s man shaving with electric razor picture of graduate shaving

Vintage ad Schick Electric Shaver1953 (r) Vintage ad Schick Electric Shaver For Dad or Grad 1953

 

fathers Day ads pipe and slippers

A Pipe and Slippers Fit for a King (L) Vintage Fathers Day ad Evans Slippers  1951 (R) Vintage ad Zippo Lighters For Fathers Day

But for my Dad no princely ban-lon shirt, crush resistant slacks, tiki print tie, no, not even an out of this world, newer-than-tomorrow electric razor could light up his countenance the way something truly fit  for a Royal did -a 1 pound canister of Prince Albert tobacco- “the national joy smoke.”

The way to my Dads heart was through tobacco.

A Pipe Line to His heart

Lvintage illustration art & advertising 1950s father and son in hammocks

Like Old King Cole  Dad was never merrier than when smoking his briar wood pipe, packing it tight with his Prince Albert tobacco.

“More than you know, perhaps…you do wonderful things for Dad by giving him a Kaywoodie pipe.” the ads promised. “You give far more in fact than the countless sweet hours of relaxation this luxury pipe brings to a man.”

Of course governing can be a stressful job so when he wasn’t puffing on a pipe, Dad could be found relaxing with a soothing cigarette.

Lucky for us, mid-century tobacco manufacturers were more than happy to lend a hand on Fathers Day coming out with a  line of special gift-wrapped  Father Day cartons and canisters fit for a king.

vintage ads pictures of happy 1950s family cigarettes

Vintage ads Camel, Cavalier Cigarettes and Prince Albert Tobacco for Fathers Day 1953

RJ Reynolds Tobacco company reassured its readers that our choice was a wise one and truly fit for a beloved monarch:

“Nearest and dearest to Dad- next to you- are his favorite cigarette or his faithful pipe. One of the things closest to your father are his smokes-his cigarette or his pipe. He carries them with him wherever he goes…they’re always part of the picture when he relaxes.”

“When it’s a gift from loved ones it’s doubly precious”

vintage illustration 1950s boy holding gift

Vintage ad for Fathers Day Kaywoodie Pipes 1954

Of course not as precious as all those years lost from developing emphysema. And that pipe line to his heart eventually found its way there with a heart attack at age 60.

God save the King!

 

Copyright (©) 20014 Sally Edelstein All Rights Reserved

 

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The Model Bride and Illustrator Jon Whitcomb

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vintage illustration bride Jon Whitcomb 1948

Like most mid-century girls, Bitsy Bendix longed to be a bride, convinced that the basic occupation of virtually every girl was choosing a man to marry.

But for bachelorette Bitsy the next best thing happened.

In the summer of 1950 she may not have been a model bride but became the ultimate model for a bride when she posed as one in a Community Silverplate advertisement.

vintage ads Jon Whitcomb illustration bride and groom weddding

Vintage Community Silverplate ads 1946 illustrations Jon Whitcomb “Happy is the bride the sun shines on…gloriously happy for keeps. And happy the bride who starts her household treasure with Community Silverplate.”

In an era run rampant with advertising and illustrations of happy brides and handsome grooms, no series of ads celebrated love and marriage more than the wildly popular Community Silver-plate series illustrated by that dream-weaver of mid-century American romance Jon Whitcomb.

Always a Bridesmaid…

Brides and groom wedding vintage  illustration

Illustration by Pruett Carter- Ladies Home Journal 1948

It all began for Bitsy in April.

Springtime brought out the bride in all hopeful young women. April showers might bring May flowers but they also brought bridal showers blossoming into June Brides.

Along with the appearance of the first daffodils, each spring, would bring with it a new crop of bridal and wedding themed articles, advertising and illustrations. Every magazine you flipped through, every newspaper you read, painted the same glowing picture of the desirability and inevitability of marriage.

illustrations Brides Wedding Marriage Ads

American companies were happy to align themselves with weddings and marriage. (R) This vintage 1950 A&P ad states: “Walking Down the Aisle Together. June the traditional month of brides is a happy time . For thanks to countless brides of many Junes A&P has become a tradition too. Seeing newlyweds in the aisles of A&P supermarket always makes us proud of our part in helping make Americans dreams come true.” (L) Vintage 1948 ad for Plymouth- the perfect car for weddings and beyond. “For a smooth getaway and a smooth path ahead” The car also boasted a huge trunk large enough for “a princesses trousseau!”

 

vintage ads featuring brides and wedding celebrations

A Toast to Marriage. (L) Beer Belongs Ad Series “Preview of Wedding Presents” illustration by Haddon Sundblom (R) Pepsi Cola ad 1953

Long before the now defunct Doma (Defense of Marriage Act)  dictated what constituted a marriage, American mass media set the gold standard for the ideal of marriage.

Dream On

vintage illustration ad bride and groom and pots

“Of all the wedding gifts, presto cooker will contribute more to every brides homemaking happiness!” Vintage ad 1948 Presto Cooker

Like every girl she knew, Bitsy would close her eyes and imagine herself floating in a drift of white organdy with embroidered dots enveloped in a veil of tulle; her wedding shower filled with the latest Wear Ever pressure cooker, copper bottomed Revere Ware and perfectly wonderful Pyrex.

vintage ads gifts for Brides presto cookers

“A Presto cooker the most useful gift imaginable for the most wonderful woman in the world…a bride.” Vintage advertisements for Presto Cookers (L) 1950 (R) 1952

 

 

 

Bride wedding presents toastmaster pyrex vintage ads

Planning for the Future-  One of the most popular gifts for brides was anything Pyrex as this 1946 Pyrex ad suggests: “If you want wedding and shower gifts that will thrill her now and help her later…” Bride Today…Hostess Tomorrow (L) Toastmaster ad 1950

But most of all she longed for her very own treasure chest of gleaming Community silver-plate, just like in the romantic ads.

vintage Jon Whitcomb illustration man and woman kissing

Vintage Community Silverplate ad Illustration Jon Whitcomb 1951 “April showers are sunny when they sparkle with community”

 

 

vintage illlustratiin by Jon Whitcomg bride and groom wedding

A ring on her finger- Vintage Community Silverplate ad 1946 illustration Jon Whitcomb “Her ring-stardust circling a slender finger. Her Community…gleaming symbol of gracious living. This a bride treasures… for keeps.”

 

Bitsy would picture herself setting a table for 2, placing her cherished Community silver proudly on lace or linen, delighting in its tradition. With her husband beaming with pride, she could imagine herself a gracious hostess entertaining proudly, knowing her guests will whisper “isn’t she lucky-“It’s Community!”

Marriage is For Keeps

community silver ad WWII Vintage illustration soldier kissinghis  girl

Vintage Community Silverplate ad from WWII. The format was the same but because Whitcomb was off to war serving in the Navy, the illustration was taken over by an artist signed simply Michael. “Today he has a war on his hands, begins this,” 1943 ad.”But the day will come, please God, when your Tom or Dick or Jack come homes for keeps…when kisses will be real, not paper, when you may know a strong hand on yours in a dim lit room…when crystal will gleam and silver will sparkle.”

The famous series of ads that launched a thousand happy marriage trousseau’s had been running since  WWII where it featured long distance romance  between a soldier and his sweetie on the home-front, dreaming of a post-war world where they would be together for keeps.

The formulaic ads lushly painted by illustrator Jon Whitcomb always featured beautiful bride or bride to be gazing adoringly into the eyes of her beloved, a typical American love scene with a clean-cut boy and well scrubbed girl.

Illustration Jon Whitcomb  man and woman embracing

Vintage illustration by Jon Whitcomb 1955 Ladies Home Journal

Whitcomb has been called the master propagandist in the art of love and his highly romanticized vision of both men and women and their idealized lives filled the pages and fantasy of  post war America

 The Look of Love

community silverad vintage illustration man and girl engegement ring

“Lets Make it for Keeps” states this 1947 Community ad. “Two…in a world of music…2 in a world of their own…2 who have discovered each other…for keeps! For keeps too- the 2 will treasure the sparkling hospitality inviting beauty of their gracious Community.” Illustration Jon Whitcomb

Along with her best pal Guy Manning, Bitsy could spend hours poring over the latest w omens  magazines discussing flower arrangements, table settings, and a well planned trousseau.

But mostly for these 2 romantics it was the appearance of the seasons first community silver ad that set their hearts aflutter. It was something the 2 had shared since childhood.

“There’ll come a day when we’re the lucky ones,” a brooding Bitsy would sigh to Guy, staring longingly at the illustration of the handsome groom.

Sometimes it was hard to tell who was swooning more over the dreamy couple pictured in the ads, Bitsy or her old pal Guy.

Not the The Marrying Kind

illustration jon whitcomb 1948

Jon Whitcomb was one of the most recognizable mid century artists whose glamorous women with their wholesome American good looks appeared regularly in all the top women’s fashion magazines as well as ad campaigns. Illustration Ladies Home Journal 1948

Everyone always remarked that Guy was a real dreamboat, as handsome as any of the hunks in Whitcomb’s illustrations. But when it came to girls he was always batting zero.

Betsy just ignored him when he’d shrug and tell her “he wasn’t the marrying kind.”

“A man becomes the marrying kind,” Bitsy would lecture him, “when some girl makes him realize that marriage would be far more agreeable and worthwhile than bachelorhood,”

For years, Bitsy had tried setting Guy up with all kinds of girls from the office but they never amounted to anything. Sure he might flirt with a file clerk and share a soda and sob story with a girl from the steno pool but Guy seemed to prefer the quiet company of his equally handsome roommate Rod.

Exacerbated, Bitsy joked that the 2 confirmed bachelors were like an old married couple.

 A Man of Your own

community silver ad vintage illustration man and girl

“It’s magic, it’s moonlight, it’s mystery, it’s a miracle…when he finds that she cares for keeps! Vintage ad 1947 Illustration Jon Whitcomb

Bitsy just knew in her heart that some glad day the lump in her throat would melt and the man in her life would appear.

What Betsy didn’t know was that for Guy, he already had.

“Don’t you worry Guy,” Bitsy reassured her best pal. “They’ll come a day when your dreams will come true… And the hopes and plans for a marriage of your own will really happen topped off by a treasure chest of Community!”.

But for Guy there would be no wedding, and no presents for in 1950 for a closeted gay man in a small town there was no community.

Calling All Brides

vintage illustration ad bride Jon Whitcomb

Vintage Community Silverplate ad 1948

 

Who would ever guess that a shopping excursion to a department store in April would bring Bitsy closer to her hearts desire.

By early spring it always seemed someone in Bitsys set was about to take the big step. Shopping for wedding gifts at Swensons Department store in downtown Sweet Oaks  was a spring ritual.

One afternoon, while Guy and Bitsy were browsing through the silver department deep in deliberation mulling the merits of pickle forks for their pal Midge, a sign caught Guys eye.

“Manufacturers Sponsors Jon Whitcomb Contest for All American Girl” read the sign

vintage illustration man and woman Jon Whitcomb

Vintage Community Silver ad 1951

Picking up a flyer from the counter Guy read aloud:

“If you’ve ever dreamed of being a real life cover girl, this may be your opportunity,” an animated Guy read excitedly. “Jon Whitcomb famous illustrator and creator of the Whitcomb girl is looking 4 new undiscovered feminine faces to model for color page ads for Community Silverplate.”

“Who is the clear-eyed all American girl painted by Jon Whitcomb?”

vintage community silverplate ads illustration women

Vintage Community Silverplate Ads 1952 Illustration Jon Whitman

“A model is desperately needed to model silverware for a Jon Whitcomb painting. A nationwide search is now being conducted to come up with 4 future Whitcomb lovelies and the lure is a fabulous summer vacation trip top NYC all expenses paid. and a week at Waldorf for girl and her chaperone or husband.”

“Four lucky girls will receive the original painting valued at thousands of dollars and $100 a day modeling fees while posing for 3 days plus $100 cash for incidentals.”

“One girl will be chosen from towns of less than 25,000, one from towns of 25,000 to 100,000 one from towns of 100,000 to 500,000 and one from cities of more than 500,000.”

vintage illustration man and woman embracing

Vintage Community Silverplate ad 1952 Illustrator Jon Whitcomb

“The contest sponsored by Community Silverplate, one of the country’s foremost manufacturers is being conducted through jewelry stores and department stores silverware departments.”

“The contest ends May 1 1950. To enter a busy gal has only to visit a jeweler, fill out a very short application blank and mail it with a snap shot to the board of judges. Winners announced in June.”

“Unless Hollywood is your first love, you can’t afford to lose this opportunity!”

Opportunity Knocks

vintage illustration man and woman kissing

Vintage Community Silverplate ad 1951 Illustrator Jon Whitcomb

“Bitsy doll,  you’d be a shoo in,” Guy said eagerly.

Everyone in Sweet Oaks Iowa always said Bitsy was a jack-pot type of girl.

With her wholesome American good looks she fit a Whitcomb girl to a T. A honey strawberry blonde with a Pepsodent smile and plenty of pep, she had as Guy would say “a cake baking disposition.”

“It oughn’t be so hard to have that ‘starry eyed look’ over a knife with which you can butter your bread, should it?” Guy asked joyfully.
This could be your ticket to your dreams.

vintage illustration man and woman kissing

“Lifetime lovely! Lifetime loved!” Vintage Community Silverplate ad 1952 Illustrator Jon Whitcomb

“Everyone knew,” he gushed  “ that many of Jon Whitcomb’s models had gone on to big time Hollywood careers, as well as leaving the business for matrimony, marrying big time railroad executives, and other successful tycoons.”

A thrill shot through Bitsy!

This just might help this bachelor girl to get a ring on her own finger.

Bride Make Over

vintage illustration woman on phone

Vintage Community Silverplate ad 1953 Illustrator Jon Whitcomb

With only 3 weeks left to mail in their application they got to work.

While Rod grabbed his Kodak Hawkeye Brownie and made like a shutterbug, Guy did Bitsy’s hair and her makeup applying just the right amount of rouge to give her that well scrubbed all American look.

Carefully he painted her lips in Revlon’s new color sunny side up red  for good luck. “A tempting red…teasing as a butterfly.” Guy cooed.
The ads said it all: “Revlon’s light hearted, sun sweetened crimson makes you kick up your heels…put a lift in your clothes…a laugh in your eye! Suddenly, all’s right with the world….”

The Waiting days are Over

vintage illustration bride and groom cutting cake

“This is the moment, this is forever, this is the slice of enduring joy you have cut for yourself for keeps!” Vintage Community Ad 1946 Illustration Jon Whitcomb

 

Waiting to hear if she’d won the contest nearly drove poor Bitsy batty! The postman always rang twice, but for weeks Bitsy was at the door by the first ring anxiously waiting for the letter from Community.

When the congratulatory letter arrived in June, she was over the moon! Bitsy would be a bride at last if only in a painting.

On the train ride to NYC with her Mom,  Bitsy had to pinch herself! She was really going to be a Whitman girl!

And We’ll live happily ever after Shes In Love and She Loves Community

vintage illustration bride

Vintage Community Silverplate Ad 1949 Illustration Jon Whitcomb

It wouldn’t be long before she could count on a set of cherished community silver for her very own.

By Christmas beautiful Bitsy Bendix was engaged!

It was the day she dreamed of and Community helped make her dream come true, turning a bride model into a genuine model Bride.

vintage illustration Jon Whitcomg bride and groom kissing

“You’ve dreamed forever…of this moment! You’ve lived forever…for this moment. You start forever…with this moment!” Vintage Community Silverplate ad 1946

 

Suddenly, just as Guy said, all was right with the world….

 © Sally Edelstein and Envisioning The American Dream, 2014. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sally Edelstein and Envisioning The American Dream with appropriate and specific direction to the original content.

 

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Our Planet is Under the Weather

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vintage illustration of cartoon earth being examined by doctor

Under the Weather with a case of Fossil Fuel Toxicity. Vintage illustration from Mallory Batteries advertisement

Despite all the climate change deniers, Mother Earth is severely under the weather.

Due to decades of addiction, the earth is battling a life threatening case of acute fossil fuel toxicity.

Left untreated, addiction to fossil fuels is often fatal.

A Dangerous Diagnosis

After a century or more of overindulgence, Mother Earth is exhibiting the late stages of addiction. The hallmark signs are evident – impaired control over a substance, preoccupation and continued use despite consequences and denial of its harm.

Immediate intervention is required for recovery. Stat.

Global Concern for our Globe

All across the globe concern for action on climate change took to the streets on Sunday with the Peoples Climate March, who are campaigning to curb carbon emissions, demanding urgent action on climate change .

Along with tens of thousands who attended the Peoples Climate  March in NYC,  UN Chief Ban Ki-Moon told a reporter “This is the planet where our subsequent generations will live. There is no Plan B, because we do not have Planet B.”

 

Note: The above illustration is ironically taken from a 1950 ad for Mallory Batteries that provide power to help oil drillers in their precision drilling.

Vintage 1950 ad Mallory Batteries

Vintage 1950 ad Mallory Batteries

 

© Sally Edelstein and Envisioning The American Dream, 2014. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sally Edelstein and Envisioning The American Dream with appropriate and specific direction to the original content.

 


In Praise of the Small Businessman

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vintage illustration small businessman 1950s

Locally owned business seem a thing of the past. Main streets were once bustling with locally owned stores . Today all across America both main street and malls are nothing more than the giant corporate big box stores.

We are watching the death of small business in America.

As people trample over one another to get deals in giant corporate big box stores on Black Friday they are also trampling over small businesses.

It’s no small thing.

We may get bargains but at what price?

Shopping the American Dream

Mom and Pop stores once drove our economy. Once a big part of the American Dream was independence, including coming up with an idea and starting your own business.

Now, Mom and Pop  are destined to live in the shadows casts by the big box stores.

In an attempt to support small  locally owned business, Small Business Saturday was created-  a forlorn holiday anchored between the big  behemoths of Black Friday and Cyber Monday.

When shopping for the American Dream, a small business is often no longer on the list.

vintage illustration and ad small Businessman

Vintage ad run by John Hancock Life Insurance during the cold war climate in 1951, was a veritable ode to the backbone of capitalism-the small businessman.

Long before the notion of a Wal-Mart, Home Depot, or  Best Buy, a poignant ad run by John Hancock Life Insurance in 1951 was a veritable ode to the backbone of capitalism-the small businessman.

Now the success of small business seems as quaint as this vintage ad. The copy reads:

“There’s a man in this country who spends his days doing exactly what he wants to do.”

“He works hard and he worries plenty, but laughs a lot too and he sleeps well. He’s seen men who take it easier and men who strike it richer. But he wouldn’t change places with any of them…and you wouldn’t want him to.”

“In the old days you’d find this man swinging a hammer in a blacksmith shop or ankle-deep in hickory shavings, building wagons for the pioneers. You’d find him baking bread in a wood fired oven, sewing a jib for a clipper ship or making a clock that would run forever.”

“And over his doorway you’d find a sign that said I. Jones, Prop.”

“The country is bigger now and its business is busier, but we still can’t do without I. Jones Prop.”

“He’s the man behind the counter in a roadside diner, selling coffee and hamburgers to the drivers of the night rolling trucks.”

“He’s the scholarly old fellow bent over a lathe in a little machine shop, turning out parts of such honest quality that a big factory will buy them rather than make its own.”

“He’s the owner of the corner candy store, who sees to it that you will always have a pack of cigarettes, a newspaper, a rubber band, a box kite., a doll carriage, and a quart of ice cream for dessert.”

“He’s the moving man, the gas station man, the man who fixes the roof, the man who adjusts the television set. He’s the man who will cash your check when you run short, or forget to send his bill if you’ve been sick.”

“He’s the man who did business with your father and the man who will be doing business with your son.”

“The textbooks have a dry name for I Jones, Prop. They call him The Small Businessman. You’ll look a long time before you find a bigger man anywhere. Bigger in self-respect. Bigger in usefulness to his neighbors.”

“Bigger in influence on a national way of life that lets any man be his own master.”

Support your local business in your hometown.

 

© Sally Edelstein and Envisioning The American Dream, 2014. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sally Edelstein and Envisioning The American Dream with appropriate and specific direction to the original content.

 

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Ready, Set, Shop!

 

 


Xmas or Hanukkah – The True Festival Of Lights

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xmas lights ad xmas tree 1950s

 Normally, while Jews across the country begin celebrating Hanukkah, the festival of lights, Christians have had a good 2 week start on them with their own festival of lights- the installation of Xmas lights.

Along with Black Friday the official kick off for the display of Xmas lights seems to happen as soon as the last piece of pumpkin pie is eaten on Thanksgiving.

Like clockwork, hundreds of tiny electric lights of all colors magically appear on storefronts and homes, trees and shrubs across the land. One can hardly find a street in America during the month of December where the majority of houses are not lit up in a dazzling display of lights.

Eight skinny, little Hanukkah candles can’t even begin to compete with vibrating LED lights pulsating in sequence to the tune of  gangnamstyle.

It’s Beginning to L00k a Lot Like Christmas

vintageSanta riding Xmas lights illustration

When I was growing up, a favorite family activity -a true example of 1950’s  togetherness- was driving around my suburban neighborhood admiring the dazzling display of Xmas lights.

Looking at Christmas decorations was as much a holiday ritual for me as playing spin the dreidel.

No sooner would we finish lighting our Hanukkah candles on our silver-plated menorah than we’d load up in the car to drive around the neighborhood in pursuit of this most American display of merriment – a  twinkling winter embodiment of the American dream. Suddenly plain, lack luster split levels were dressed up in their holiday best, each competing with the other for the most dramatic and colorful display of electric Christmas lights.

By the time we returned home, our own little holiday candles dripping and drooping in a pool of wax,  had forlornly reached the end of their illumination. The flickering reflection of a distant neighbors colorful Xmas lights reflected in our darkened home.

We may have had 8 days of Hanukkah but they had nearly 6 weeks of illuminated glory. That glittering part of the American dream winking at us seductively from neighbors homes was always just outside my grasp.

 

Vintage illustration xmas lights family decorating tree 1950s

Let There Be Light

In the winter of 1961, I was actually invited into the inner sanctum of one of those illuminated homes by my first grade classmate Linda Harris. As my Mom dropped me off at her house I stood outside in my Snowster Gaytee rubber boots in the snow and stared at the glittering house.

An illuminated, translucent plastic Santa mask beamed at me merrily from their large picture window. His glowing, jolly face intending to radiate good cheer was in fact a bit frightening. The door was gaily decorated with bright red vinyl plastic streamers with 8 tinkling bells in graduated sizes, the jingling of bells announcing my arrival.

Once inside the exotic smell of balsam and baking holiday ham filled my virgin nostrils.

If it were true that GE brings good things to life it was certainly true in my friend’s home where every corner of her living room was magically a glow, thanks to the wizards at General Electric, Westinghouse and Sylvania.

There in front of me stood their tree majestically filling the room. The big gleaming globes of glass ornaments that had been taken down from their  attic now hung on the branches of the Douglas Fir.  The ornament’s lustrous colors with silk screened designs of Santa and reindeer, holly and jingle bells shimmered, reflecting the twinkling string of electric lights.

The tiny tree lights twinkled independently and the effect was mesmerizing.

xmas light  bulbs santa 550 SWScan08282

The twinkling lamps called fairy lights made merry little pinging sounds as each flashed on and off. However to the family’s great consternation, their Philco TV  was constantly on the fritz with the twinkling of lights. The winking lights caused severe electrical interference on both television and radio, causing snow to appear on the TV screen as often as it did outside.

Bubble-Liscious

vintage ad illustration baby in Santa outfit xmas lights noma lights

Vintage advertisement NOMA Bubble Lites1949

But nothing was more magical than the electric bubble lights nestled on the tree.  Bubble Lights were all the rage and the Harris family were not short of supply

Bubble lights were tiny glass tubes styled like miniature candles and their holders, filled with a colored liquid that bubbled rhythmically as the bulb inside heated up the liquid creating merry little bubbles The sparkle of tiny bubbles in motion added to their cheery glow as they  flickered like the candle it was supposed to replace.

When all was said and done,  it all came back to  candles even if their electric candles were  filled with  the chemical methelyne chloride to create that intoxicating holiday glow.

The Candles Are Burning Low

vintage illustration family around Xmas tree 1940s

Vintage illustration -Ad Xmas Watches 1947

 

Once upon a time the only way to light a tree before electricity was with candles.

Though a tree lit with candles was a charming sight, it was to say the least  quite dangerous. Originally the candles were just attached to the tree by dripping hot wax on the branch and pressing the base of the candle on it. Eventually candle holders were designed just for this purpose came on the market.

The open flames coming in contact with pine needles especially on dried out trees could generate a fire. Cautiously, most homeowners kept a bucket of water or sand near the tree for such emergencies.

Despite their danger, the use of small candles remained the popular method of illuminating Xmas trees well into the 20th century.

GE Comes to the Rescue

Vintage illustration Santa Xmas bulbs 1940s

Vintage Ad GE Mazda Xmas Light Bulbs 1940

General Electric was the first to market a Xmas light set in 1903.

Referred to as “Festoons” the 24 bulb set was priced at a hefty $12. While this may not seem too expensive today, the cost was out of the reach of most people The average wage for the time was 22 cents per hour which equaled a weekly paycheck of about $13.20. Electric Xmas lights were for basically for the wealthy 1%

These early sets did not plug into a wall socket like today. Houses in those days were wired only for lighting so the end of the string had to be in the shape of a screw in light bulb base so that it could connect into an existing wall lamp or ceiling socket.

By the 1920s demand went up and prices went down. As household electricity became more available  and “electric servants” became more a part of daily life, strings of electric bulbs became increasingly common on Xmas trees. By the 1930s electric Xmas lights had become a standard of holiday decorating

“Twas the night before Xmas when all through the house, you could hear poor papa yelling “Our Xmas tree lamps won’t light again.”

So begins this 1940 ad for GE Mazda lamps for Christmas. Nothing was more frustrating than a burned out bulb and with GE’s new multiple light strings you could avoid the frustrating holiday hunting of burned out bulbs. When one lamp goes out, others continued to sparkle.  “There would be,” they promised no “blackout of holiday joy.”

WWII

vintage illustration WWII ad Santa and war bonds

Vintage ad 1942 Christmas WWII was a practical holiday. Buy War Bonds

 

1940 would turn out to be the last good Xmas season for a while.

With the bombing of Pearl Harbor in December 1941, war was declared. Needless to say Americans holiday spirits were severely dampened. The Xmas 1941 selling season was a dismal one for the lighting manufacturers and that would only be the beginning.

The manufacture of Xmas lights virtually stopped during WWII as the materials were needed for war effort instead. Old string lights that were in warehouses before the war were sold as long as the stock lasted, and then Americans had to make do with their old sets.

A Bright Post War

xmas electric lights vintage ads

Vintage ads for Xmas Lights 1947

A t the end of  WWII,  pent-up post war enthusiasm for Xmas lighting returned with a vengeance.

War-weary folks were eager to light up their new sub division homes and marketers were happy to oblige. Lighting companies took a full year to recover but by 1946 were able to offer an amazing number of innovative lighting outfits.

Some new types of lamps appeared including the bubble light introduced by NOMA which soon became the worlds best-selling Christmas light set. Bubble Lights were actually invented in the 1930s but NOMA the purchaser of the patents on the lights had to wait till the war was over before they could be manufactured.

Consisting of a colorful candle shaped glass tube filled with a chemical called methylene chloride and a plastic base that holds a light bulb in close contact with the bulb, the units bubble whenever heated. The chemical had such a low boiling point that it would even bubble from the heat of your hand or the sunlight entering the room through a window. The liquid came tinted in several colors

Heavily advertised in 1946 NOMA’s Bubble Lights were the thing to have for a properly decorated Post-War tree.

Let It Snow Let it Snow

 

Ad xmas lights 1950s

The next great step forward was the introduction of Permacote finish for Christmas bulbs, which let you use the same bulb indoors or outdoors. An exclusive Westinghouse development the color was provided by colored glass, fused to the bulb itself.

 

xmas lights ad 1950s

“Yes,” explains this 1951 ad by Westinghouse “Let it rain snow, blow or blizzard…these new Westinghouse Permacote Christmas bulbs will burn steadily with sparkling jewel like brilliance throughout the holiday seasons Their colors can’t chip or peel! It’s not paint! You’ll be smart to insist on Permacote when you buy new tree lights”

Copyright (©) 2014 Sally Edelstein All Rights Reserved

Happy New Year

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vintage champagne ad illustration 1915 couple celebrating

Vintage ad 1915 Great Western Champagne-  “Friends-Always”

 

A toast to you all!

As this year comes to an end, I once again express deep appreciation for your continued readership and support. In an age of information overload when we are inundated with vast amounts of data daily, I am doubly grateful that you have taken the time to visit my site and offer your insights.

Wishing you all a very happy 2015!

 

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New Years Eve and Television



Driving and the Deep Freeze

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winter cars SWScan00976

Shivering from coast to coast, the Arctic deep freezer door seems to have swung open wide and sure doesn’t seem to be closing anytime soon.

Lately it seems as if the world is one mass of howling icy cold with subzero temperatures and round after round of snow.  Braving blizzards  in your car, winter weather does its best to stop you.

The mercury may be plunging outside but sealed in the climate controlled comfort of your car -as toasty as your own living room – keeps old man winter at bay.

We take a heated car for granted, rarely giving any thought to the blowing hot air at all… except of course when it’s on the fritz.

But a heated car wasn’t always a given.

winter weather,  vintage ads lap robe, snow suits

(L) Vintage ad Weather Winky Snowsuits 1950 (R) Vintage ad 1950 Troy Robe

Once upon a time bundling up children in bulky snowsuits was done not only for playing in the snow, but to take a leisurely ride in the family car

Before the 1950’s staying warm in an automobile entailed multiple layers of clothing, bundling up in blankets or a lap-robe.  If you were lucky enough to have a car heater, you’d have to wait 15 or more minutes for the car to warm up. And chances were it was woefully inefficient.

That is unless you installed a supplemental car heater.

The Big Chill

home heat 47 SWScan01175

In the bone chilling winter of 1947 one frost-bitten family had finally had enough of cold weather driving.

The year began with the lowest temperature ever recorded in North America and the mercury would only continue to drop. 1947 would turn out to be a very chilly year, to start the cold war.

By February poor Willy Lawson’s home life was becoming as chilly as the frosty relationship between Stalin and Truman.

The cold war had already been raging for years in the Lawson household…the “cold car wars” that is, the annual grumblings that erupted when winters icy grip struck.

winter texaco ad 1940

Vintage ad Texaco 1940

1940’s cars tended to be uncomfortably drafty and cold. Most had poor interior heating systems. Heaters had been around since GM introduced them in 1930, but not only did they take over 20 minutes to warm up the passenger compartment they were quite ineffective.

Driving in cold cars was the perfect incubator for catching cold.

For Willy’s wife Sylvia slugging through a snow storm with frost-bitten fingers was no fun. Caring for a brood of kids with colds, even less so.

winter weather snowsuits

Motoring entailed bundling up the  5 Lawson kids not only in snowsuits but an assortment of mittens, hats, scarves  and galoshes. A road trip  filled with endless whining often ended in sniffles, coughs  with one of the children coming down with a cold. Sylvia knew from years of experience it was  all too easy for a cold once it starts to spread from one member of the family to the next…with troublesome results.

In freezing weather, cold cars caused hot arguments.

A gasoline car heater could provide supplemental heat …but cost more money.

Not only was Willy budget conscience he was plain stubborn.Heavy lap-robes and woolen blankets had always worked just fine, he argued. Sniffles and colds were just part of winter. Besides which like many folks he didn’t trust gas heaters in cars, convinced they’d blow up.

Winterize

vintage ads gas Mobile Texaco 1940

Winterize Your Car
(L) Vintage Ad Mobile Oil (R) vintage Ad Texaco 1940

The thing of it was when it came time to winterizing his car Willy spared no expense. Vigilantly he made sure to put in plenty of   antifreeze, changed his oil, attached  snow chains  and used only uses Texaco Sky Chief gasoline for quick winter starting.

On cold mornings his split second startings in his pre-war Chevy were the envy of the neighborhood. Even in the iciest weather, he’d boast to Sylvia that his stone cold engine would respond immediately…”the Sky Chief gasoline warmed the engine  up so rapidly…makes it forget to stutter and buck!”

His engine would be warm and tasty…. his shivering passengers, not so much.

Eye Opener

vintage illustration girl in car

Vintage ad South Wind Car Heater 1948

It was while Willy was home sick with the sniffles, that Sylvia had an eye-opening ride in her neighbor Tom’s car.

To her astonishment, though Toms automobile was thoroughly chilled when she got into it, within seconds plenty of heat was pouring in! Their heater worked like a dream. The secret was  a South Wind gas  heater!

“It’s fast…its efficient… it’s the finest!”  boasted  Tom.

The South Wind heater worked on a new scientifically proved gasoline burning principle, the manufacturer claimed  “that made it possible for you to get hot heat in just 90 seconds flat! “No other kind of car heater can give you hot heat so speedily! South Wind creates it’s own heat…there’s no wait for the engine. Always ready for use.”

Sylvia didn’t need persuading. One ride in the toasty warm car  a week later was all it took to convince chilly Willy too.

Vintage Ad South Wind Car Heater 1940 grandmother and boy in car

Vintage Ad South Wind Car Heater 1940
“It’s grand for old people. Our South Wind heats the car quick as cat. Can go in healthful comfort eve on the coldest days!”

“The South Wind heater cost a little more to buy and operate but even on the chilliest mornings you could warm up in 90 seconds,” Tom explained to Willy. “No wait for engine warm up. Burns fuel from the carburetor in a patented sealed metal chamber. Fumes go right out the exhaust.”

“Before I’m out of the driveway on my way to work, my southwind is pouring hot heat into my car! In fact if you didn’t turn down the flame you’d roast.”

Southwind Heater

Vintage ad car heater illustration couple in car

More Heat Faster
Vintage South Wind Car Heater 1940

The South Wind heater was the brainchild of a Canadian born, Chicago resident  named Harry McCollum who was fed up with being cold during his commute to work.

In 1930 unhappy with the inefficient GM car heater, the cold Chicagoan  came up with  a solution – a supplemental form of heat for cars that burned gasoline.The South Wind heater was the first gasoline car heater designed for car and truck interiors. Amazingly this new heater could warm the interior of his old car in a jiff!

The heaters first appeared in 1935 but were recalled and improved versions appeared in 1936. According to the company over 3 million had been built and sold by 1948.

No More Chilly Willy

vintage Cars heaters South Wind man woman drivers

Vintage advertisements 1948 South Wind Car Heaters
According to the company over 3 million heaters been built and sold by 1948. The heaters could be found in US military vehicle and aircraft during WWII through the Korean war. In Korea they warmed everything from tanks to jeeps and light planes. By the 1950s car heating technology improved and South Wind faded away

Willy was finally ready to throw winter right out of his car with a purchase f the South Wind heater ! Easy to install, the heater fit beneath the dashboard where he  could kick the on an off with his feet.”

The chilly relations between the Lawson’s finally thawed. It was if they gained 3 months of extra driving fun. Even with the big blizzard in December that knocked the east coast for a loop they were toasty warm in their car. Old man winter wouldn’t stop them now!

Now the Lawson could leave their overcoat at home- their gloves, hats, even  their lap-robe. They  wouldn’t need them. When you step into a South Wind heated car you step into complete living room comfort.

Copyright (©) 2015 Sally Edelstein All Rights Reserved


It’s a Mad, Mad, Mad Magazine World

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Mad Magazine Finger 74 SWScan04061

Mad Magazine’s sensibility shaped our current culture of cynicism, credited with spawning today’s “Snark Generation.” This April 1974 issue of Mad was the most controversial cover. Many newsstands and candy stores refused to sell it

 Je Suise Mad

Sometimes it seems as if the whole world has gone Mad.

And in some ways it has.

The attack on cartoonists at Charlie Hebdo has caused not only great grief but soul-searching raising the question about what satire is, what it should or shouldn’t do and what role it plays in a society.

The satirists job is to push boundaries, expose our weakness and point out the social fiction we tell ourselves.

Simply put, a satirist is necessary for the health of a society.

A Culture Challenged

Mad Magazine Aprl 1971

Mad Magazine April 1971 William M Gaines publisher, Al Feldstein editor, contributing artists and writers The Usual Gang of Idiots

If a satirists noble calling is to challenge the culture at large no one did it better than Mad Magazine, especially in its mid-century heyday when it provoked a generation of baby boomers to think critically.

Including me.

With the same tenacity as the terrier in the Wizard of Oz, those “usual gang of idiots”- the creative group of writers and illustrators who changed the landscape of humor – pulled back the curtain on society revealing it to be less than perfect.

Mads presence was prescient.

Post war America was churning out myths as fast as they did Chevrolets, and Mad just as rapidly skewered them.

On the Attack

mad Magazine covers

Mad’s satiric net was cast wide parodying the ongoing American culture. By the late 1960s it satirized sexual revolution, hippies, the generation gap, and Vietnam. Portraits of Alfred E. Neuman were painted by Norman Mingo, Frank Kelly Freas and Richard Williams

Not only did the satirical monthly attack the huskerism of Madison Avenue, the chicanery of politicians, the pretensions of those in authority and the duplicity of everyday life, it was a fun-house mirror reflection of what was culturally popular … all in a 48 page, densely illustrated magazine – all for a measly quarter. ( Of course there  was a lot  of grumbling when those “ganefs” at Mad raised the price from 25 cents -cheap, to 35 cents-highway robbery ).

Because of Mad I would be inoculated with a heavy dose of skepticism offering a lifetime of immunity from accepting institutional hypocrisy and dishonesty.

A MAD Journey

Mad Magazine Nuclear Bomb Ad Men article

Published during the deep freeze of the cold war, these parodies helped take a bit of the chill out of the air.  Vintage illustration Mad Magazine

In a mid-century culture of mutually assured consumption and mutually assured destruction, it’s not surprising my own creative journey began with Mad.

Growing up in the atomic age of nuclear families and nuclear jitters, cold warriors and hot wars, mad men and happy housewives, Mad’s cynical eye offered a road map to navigate this rapidly changing world.

Just as a decade later I would wait with anticipation for the next SNL episode to air  to see who or what would be lampooned, so I would count the days until the latest issue of Mad appeared to see who would come under their knife.

Candy Store Capers

Mad Magazine and Bazooka Bubble Gum

Mad Follies 1963 with content from 1957-1963

Every month, a quarter clutched tightly in my hand, I would head down to the neighborhood candy store to buy the latest issue of Mad Magazine.

Dog-eared, older issues of the magazine, hand-me-downs from my brother were treasured, but buying my very own copy felt like a rite of passage.

Our neighborhood candy store Katz’s with its overhead tin sign from Bryer’s ice cream and creaking wooden telephone booths in the back of the store,  was the type of establishment once found in every neighborhood in Brooklyn and Queens. A throwback to a previous era it  now seemed woefully out-of-place amongst the new developments of split level and ranch homes of my Long Island suburban neighborhood.

All the News Unfit to Print

Mad Magazine 1970s  illustrations Nixon as Washington Vietnam soldier

Mad’s back covers didn’t take a back seat to the front ones. (L) The back cover of the Watergate era April 1974 Mad features President Richard Nixon as George Washington professing not to have told a lie: “I cannot tell a lie. I didn’t do it.” (R) A powerfully different view of returning soldiers from Vietnam

Walking into the store,  I would give a quick glance at the newsstand outside that displayed an assortment of newspapers secured under heavy sash weights. Bold black headlines shrieked with news of Vietnam, Race Riots and Watergate but I preferred my news straight from Alfred E. Neuman.

Once inside, as your eyes adjusted to the dim light, an unforgettable aroma enveloped you- a mixture of candy, cigarettes, cedar wood cigar boxes and their contents, paper goods, and printing ink not yet dry from the daily’s,weeklies and monthlies constantly turning over in the rhythm of business.

Since the mainstay of the candy store was of course candy I would immediately purchase pink Bazooka bubble gum to chew while I perused the merchandise. The tiny wax paper color comics that came with the gum were quickly crumbled into a pocket.

Bazooka Joe and his black eye-patch were no match for what lay ahead.

Comic Book Heaven

collage of vintage Comic Books

In the early 1950’s comic books were thought to corrupt children, so a Comics Book Code was put into place to save American kids from a life of juvenile delinquency. To get around the code of comics with its wholesome dictates, Mad Comics created by Harvey Kurtzman and Al Feldstein simply converted to a magazine format to escape the censors knife.

Before me would be row after row, rack after spinning rack of brand new comic books a tempting riot of cyan, magenta, yellow and black. It was a universe of vibrating, pulsing dots, speech bubbles and plot-filled panels, a flat world magically come alive thanks to the miracle of four-color separation printing.

As much as I loved Harvey Comics with its official comic book seal of approval and its cast of doe-eyed characters like Little Dot and Little Audrey, I would gleefully bypass Richie Rich and head straight to MAD Magazine.

More than gaudy colors, it was caustic humor that caught my eye.

collage Mad Magazine Buy it or Leave It  Archie Comc Book Cover

There nestled slyly next to Betty and Veronica perpetually duking it out for Archie’s affection would be the smirking face of Alfred E. Neuman his “what me worry” countenance beckoning me with his topical satire.

Sure I could laugh at Little Lotta and her insatiable appetite for only 12 cents but a quarter brought chuckles at a chubby Nikita Khrushchev with his equally insatiable appetite for cold war Communist bluster.

A Cast of Cold War Characters

Mad Magazine story illustration  JFK cold war White House Summit

Mad was like a course on international politics. Where else would an 8-year-old easily learn and recite the names of world leader like Castro, Nasser, Mao, Tito and Khrushchev. In “Mad Visits A White House Summit”published In June of 1963 at the height of the cold war, Mad wondered what would happen if they held a summit meeting of world leader at the White House., thinking a more congenial setting like the president’s home might offer a better solution to world peace.

Published during the deep freeze of the cold war, these parodies helped take a bit of the chill out of the air.

Mad did more than mock the adult world.

Mad was also cunningly educational. Lessons learned from my Weekly Reader often eluded me; tutored by the skilled pens of Mort Drucker, Wally Woodbrige and Frank Jacobs, lessons about politics and current events were indelibly etched in my mind.

More importantly Mad taught us to read between the lines.

Consuming Passions

Mass Market Magazines Covers 1950s 1960s

Seductively displayed next to the comic books were the plethora of oversize mass market magazines, swollen with consumer ads.

These popular publications whose demise was decades away , bulged with glowing color drenched ads, its lavish high gloss pages filled with an idealized mid-century America enjoying their post-war promises of prosperity and the cornucopia of consumer goods that were coursing through the culture.

It was pure catnip to Mad.

Does Mad or… Doesn’t Mad

collage-Mad Magazine Miss Clairol Satire and Vintage Miss Clairol ad

One of the classic spoofs by Mad mocking Shirley Polykoffs suggestive Clairol catch phrase of the 1950’s and early 60’s “Does She or Doesn’t She?” (L) The addition of a boy into this well-known series made the suggestive caption more clear especially as the boy appeared older in each ad, until it was finally refused by Life Magazine. Natural Mad’s (R) parody of the Clairol ad asked “Does she or doesn’t she …ever go out with fellows her own age?” calling for a “Miss Clairol Date Ager Kit” for the boy.

Because there was no advertising in their magazine Mad could satirize materialistic culture without fear of reprisal.

So with a gleaming Pepsodent smile, Mad Magazine mercilessly skewered the American consumer culture including its cultural heroes the real Mad Men of Madison Avenue who helped define the post war American suburban dream.

Have a Coke and a Smile

Mad Magazine Worst From Mad Cover

The 12th Annual Edition of The Worst From Mad “A collection of humor satire and garbage from past issues 1966, 1967 and 1969

Sometimes if I was especially flush with allowance I would sit at the soda fountain at the candy store and have a milkshake or a cherry coke , while I flipped through my newly acquired Mad , unable to wait till I got home to read it cover to fold-out cover.

Sitting at the dark walnut stained wooden counter, spinning on the vinyl stools I would look at my reflection on the sliding glass doors that stood behind it. The closed glass cabinet which held school supplies and stationary was curiously out of reach for the customer, who I am sure would rather steal a racy magazine than a marbled covered notebook.

Fascinated as much by the whirling, vibrating sound of the sea-foam green Hamilton Beach malted machine as the uncontrollable trembling of poor, Parkinson’s afflicted Mr. Katz as he prepared the malted milkshakes, I couldn’t tell who shook more.

Meanwhile I watched as his elderly wife Mrs. Katz with her gnarled arthritic hands struggled to scoop the frozen Bryers strawberry ice cream from the big multi-gallon tub into a small white cardboard container for another customer to bring home as a treat for the kiddies, more accustomed to getting their frozen treats from the Good Humor man.

 

Mad Magazine Suburban Primer

The Mad Suburban Primer

The candy store with its egg creams, halavah and long salted pretzels was a temporary respite, a world away from the new and improved suburban world in which it resided, more at home in Flatbush than in Franklin Square. The  Brooklyn born  meshuggeneh’s  from Mad would feel right at home.

Armed with my freshly minted Mad in hand I would hurry back home, squinting as my eyes adjusted once again to the garish sunlight of suburbia.

© Sally Edelstein and Envisioning The American Dream, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sally Edelstein and Envisioning The American Dream with appropriate and specific direction to the original content.


Let it Snow

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vintage illustration snow storm digging out

Snowmageddon2015 is here!

Massive! Historic! Epic! Blockbuster !

The meteorologist’s hyperbole about the current snow storm barreling down the East Coast is epic itself. Like many others who are bracing for the storm, I have been glued to the weather forecasts.

With ominous music and special graphics designed just for Winter Storm Juno, these non stop weather reports seem to have caused a whiteout of any other news.

A Change in the Weather

Long before computer technology ,Geo-stationary satellites, and the 24/7 weather channel, weather reporting was pretty primitive relying on paper maps, pins, Plexiglas, and markers.

Not only that, but in the 1950’s it was broadcast by a bunch of silly clowns, puppets and cartoons.

But in my house  growing up,  the weather was no joking matter.

Since my father had been a meteorologist in WWII he took the weather very seriously.

Everything’s Fine and Dandy with the Weather

Vintage photo TV Weatherman Tex Antoine

TV Weatherman Tex Antoine 1950’s

 

When a big storm approached, both my parents would stay up late anxiously tuning in to Mom’s favorite weather-caster Tex Antoine and his cartoon helper the mustachioed curmudgeon Uncle Wethbee to get the nightly reports.

Sponsored by Con Edison, who wouldn’t trust someone whose theme music was  Fine and Dandy.

The last week in January 1959 NY was hit with an icy, blustery snowstorm and it showed no signs of stopping. Cars were at a standstill as Ford Fairlaines were replaced by flexible flyers, as overjoyed children home from school raced to build snowmen.

Mom and Dad were concerned about getting around but took weatherman Tex Antoine at his word that the snow would stop by the end of the week.

As the snow continued to fall silently, the weatherman advised everyone to stay put in their igloos.

Somehow, my ex-meteorologist father put his faith into a cartoon drawing (whose mustache drooped or curled according to the climate), not trusting such important news as the weather to come from a busty woman in evening gowns or some goofy clown.

Like TV artist Jon Neghy, Tex  dressed in a smock, would start his weather segment standing next to an easel covered by blank papers and with a thick black marker he would proceed to draw the weather systems that were relevant to the nation and the local area.

But deep down Tex was a bit too show-biz for Dad.

 

WWII soldier vintage illustration

Post-War Forecasts

Weather news was treated seriously in the early years of television.

WWII had trained thousands of enlisted men in meteorology and dozens of those vets showed up on local new programs in the late 1940’s.

In the first few post-war years, somber, non smiling  vets,  and egghead professors of meteorology standing in front of maps, droning on about occluded fronts, thermal fronts and pressure systems, had been the norm.

And that suited Dad just fine.

 

Vintage illustration of NY Weather Bureau by Steve Dohanos for Saturday Evening Post Cover 1946

Vintage illustration of NY Weather Bureau by Steve Dohanos for Saturday Evening Post Cover 1946

 

The first to present weather on a national news program, was Chicago’s Clint Youle. Like Dad he had been in the Army Air Corp trained in meteorology.

Nationally known as Mr. Weatherman, he was one of several WWII vets who parlayed their meteorological skills into jobs in the new field of TV in the late 1940’s.

Dad first caught Youle on “The Camel News Caravan” with John Cameron Swayzee on NBC in 1949. With his folksy manner, Youle reported 3 times a week using a regular three  by four foot Rand McNally map of the US bought at a local store and covered it with Plexiglas.

A pleasant, neighborly man with spectacles and a crew cut he would draw the weather systems on the Plexiglas with a black marker as he gave the forecast. When color TV came in the mid 1950s he spiced thing up adding red and orange markers.

Fair Weather Froth

vintage picture 2 women in evening gownsvintage ad

It wasn’t long before weather reports got more show biz. Cartoon characters, animals, stunts, and crazy costumes quickly appeared.

By the 1950s women burst into this male bastion and by 1955  sexy women represented the majority of TV weather casters.

Weather girls became all the rage.

Attractive, sunny and blessed with eternal smiles, the weather girls scrawled weather maps on Plexiglas, donned perky hats to match the forecast or broadcast from bed in skimpy lingerie to deliver the late night forecast.

Dismissing the fairer sex as they wiggled  and jiggled before the weather maps in the latest gowns, Dad sniffed that weather girls just pre-occupied us with “their own frontal systems.”

Of course on weekends he just might make an exception for NBC’s sultry Tedi Thurman who used to peek from behind a shower curtain to coo breathlessly, “The temperature in N.Y. is 46 and me, I’m 36-26-36!”

As the East Coast braces for the snowpocalypse, I am glad we are taking the weather seriously. Somehow I just wouldn’t want a puppet to be tracking Winter Storm Juno’s  perilous path.

Copyright (©) 2015 Sally Edelstein All Rights Reserved

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Women, Gender, Politics and Art

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Collage by Sally Edelstein

Collage Detail from Womens Lib- A Storms Approachin’ collage by Sally Edelstein

Nearly 45 years after the women’s liberation movement stormed onto the scene opening a floodgate of discourse about women’s rights, it’s déjà vu all over again.

Nothing brought this home more than the outpouring of support for Oscar winner Patricia Arquettes impassioned speech about women’s rights and wage inequality.

And not just from card-carrying feminists!

collage Sally Edelstein art A Storm's Approachin

Collage Detail; Women’s Lib-A Storm’s Approachin’ by Sally Edelstein

It’s hard to believe that systemic gender inequality still exists today and women are still being moved around like so many pawns in a political game that seems to be played by men only. The denial of reproductive rights, sexual violence and domestic abuse are still very much a part of our current dialogue.

Why are women’s lives so difficult even now in the 21th century?

Ironically because feminist ideas are so taken for granted few women think of themselves as feminists. The persistent stereotype of 2nd wave feminists as male bashing, make-up-less angry and non domestic was the same stereotype perpetrated by the media at the time.

It is worth remembering their struggles.

Views From the Edge: Women, Gender and Politics

sally-edelstein-collage-storms-approaching art collage

Women’s Lib-A Storms Approachin” collage 48″x84″ artist :Sally Edelstein. On view at Sarah Doyle Gallery at Brown University March 2- March 28, 2015

I am honored to be a part of a very timely exhibition: Views From the Edge: Women, Gender and Politics at The Sarah Doyle Gallery at Brown University.

The Women’s Caucus for Art and Karen Gutfreund Art present an exhibition featuring the art of 24 artists advocating for gender equality, women’s rights and social justice, these expressions provoke, and challenge assumptions about women’s lives in today’s global society.

Women’s Liberation

Sally Edelstein-A Storm's Approachin' art collage

Collage Detail: Women’s Lib- A Storms Approachin’ by Sally Edelstein

My collage “Women Lib: A Storms Approaching” takes a look at a  time pivotal time period when women became conscious not only of the inequality but how our identities had become fragmented by a media insistent on dictating ever-changing standards.

When women grapple with gender inequality they often find themselves turning to a rich 10 year period of modern history – the 1970s. Before the 1970’s a woman could not keep her job if she were pregnant, get a credit card, report cases of sexual harassment  or have a legal abortion.

The piece, part of a series called “Media Made Women” is a pastiche of postwar American imagery, a time when confining and conflicting images of media stereotypes of women littered the pop culture landscape that was erupting in a women’s liberation movement.

These images helped shape the female psyche in setting standards of how women should imagine their lives, think of fulfillment and arrange their priorities.

Collage as Expression

art work sally edelstein collage appropriated images

Collage promotes collusion’s of realities; by dissociating the images from their intended use, I can exploit the iconic effects of the imagery. Collage Detail: A Storms Approachin by Sally Edelstein

Collage becomes the perfect vehicle to deconstruct these fragmented messages.

Like most Americans, I have consumed vast amounts of pop culture imagery over the decades; as an artist and a collector I have amassed a formidable collection.

Like a toxic overspill, fragments of these countless mass media images remain imprinted in all of us.

Using collage as a means of deconstructing myths and examining social fictions, the piece is composed of hundreds of images appropriated from vintage advertising, periodicals, newspapers, vintage school books, old illustrations, comic books, pulp fiction and all sorts of ephemera.

Media Matters- Media Made Women

Collage by Sally Edelstein art work appropriated vintage images

Collage Detail: Women’s Lib- A Storms Approachin’ by Sally Edelstein On view at Sarah Doyle Gallery at Brown University March 2- March 28, 2015 Views From the Edge : Women, Gender and Politics

Like most women growing up in the 1960s I was fed a generous serving of sugar-coated media stereotypes of happy homemakers who were as frozen and neatly packaged as the processed foods they served their Cold war families

Within a decades time these same images would be thawed out under the hot glare of a woman’s movement only to be joined by a heaping helping of new conflicting media representations of how a girl’s life should proceed.

What did it mean to be a woman in the wake of the woman’s movement; what kind of woman should we be? How assertive and ambitious should we be, and how accommodating to men.

Gender Warfare

Sally Edelstein-A Storm's Approachin collage art work

I do not use Photoshop in creating the collages preferring to create the pieces the old fashioned way by Exacto knife. Collage Detail: Women’s Lib- A Storms Approachin’ by Sally Edelstein

This ideological warfare about women’s proper place was the prevailing subtext of American popular culture in the 1970’s.

Just as the right has demonized liberalism, so the backlash convinced the public that woman’s liberation was the true American scourge.

The back lash against feminism was filled with cautionary tales about what happens to women who are too angry or outspoken, and get too much freedom and attempted to push women back into acceptable retro roles .

The result was we were ambivalent toward femininity on the one hand and feminism on the other.

The media’s stereotypes about feminism turned the images into caricatures. They certainly played a central role in turning feminism into a dirty word and stereotyping the feminist as a karate chopping, Nair-rejecting bitch, with bad clothes, a perpetual snarl and a larger than life chip on her shoulder.

The media has long presented conflicting contradicting images of women and we have had to navigate the plethora of images offered up to young girls and young women suggesting what a desirable worthwhile woman should be.

Contrary to Popular Belief

collage detail artwork sally edelstein

Collage Detail: Women’s Lib-A Storms Approachin’ by Sally Edelstein

The irony is 45 years later the contradictions still exist and the media continue to provide us with images and rationalizations that shape how we make sense of the roles we assume in our families, our workplace and our society.

The media continues to be relentless in their assault on the imperfections of the female face and body while our bodies continue to be a battleground in the political arenas.

The current backlash against women and their reproductive rights still inform our dialogues and re-markets old myths about women as new facts.

If you are near Providence, Rhode island please stop by the Sarah Doyle Gallery to view the show.

Sarah Doyle Gallery
Brown University
26 Benevolent Street
Providence, Rhode Island

Opening reception Monday March 2nd from 6-8:00p.m.
Show runs till March 28th 2015
Gallery is open Monday- Friday 9-5p.m.

© Sally Edelstein and Envisioning The American Dream, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sally Edelstein and Envisioning The American Dream with appropriate and specific direction to the original content.

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The Real Housewives of The Cold war

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Kitchen Refrigerator 1950s mother daughter

Like most women growing up in the 1950s and 1960s I was fed a generous serving of sugar-coated media stereotypes of happy homemakers who were as frozen and neatly packaged as the processed foods they served their cold war families.

The Feminine Mistake 1960

In the years before I went to Kindergarten, I shadowed my mother Betty  everywhere she went.

Within her suburban sphere of influence I was a contented little satellite, spinning in her orbit.

Whether shopping or schlepping, picking up or dropping off, I would follow in her footsteps…literally. The task I enjoyed tagging along with the most was her weekly appointment at the Glam-A-Rama Beauty Parlor.

Glam-A- Rama Beauty Parlor

beauty Parlor hair drier 1950s hair

The beauty parlor was a unique universe unlike any place else, where unfamiliar, strange-looking equipment was being used by familiar neighborhood women looking strange.

All dressed alike, their ordinary clothes replaced by identical leopard print smocks, it was a universe with its own uniform.

A universe where gossip was as hot and swift as the air blowing through the missile shaped hairdryers, a world where I was privy to carefully guarded grown up secrets.

Strange intimacies grew between women who organized carpools and now found themselves sitting, captive under pink hair dryers.

These conversations were unlike the hurried confidences exchanged as Friday’s schedule was switched with Tuesdays, pick-ups and deliveries reversed, or when a tired mother deposits the last child and stayed for a quick cup of instant coffee.

It was over the roar of the dryers in the afternoons while casseroles simmered in automatic ovens back home that these women gave full voice to secret whispering fears. Somehow dread words could be spoken and reassurances offered.

In the shadow of the hairdryers, as nails were polished, calluses scraped and hair teased, dread words could be safely spoken.

Post War Periodicals

vintage magazines illustration

(R) Ladies Home Journal 5/52 illustration Al Parker

Sinking into a padded turquoise swivel styling chair, I sat next to Mom, carefully watching as Miss Blanche the hairdresser, combed and teased, bombarding Mom with hairspray.

This was truly a space age hair-do with its propulsion accomplished by strenuous backcombing.

Mom would sit in the hydraulic  chair reading 2 month old, dog-eared copies of McCalls and Good Housekeeping, while  Miss Blanche maintaining a steady flow of mindless chatter as she worked.

Magazine Madness

Tucked within those pages, the periodicals promised the modern mid-century housewife would find exactly the right information and products that would give her the knowledge to excel in her role as wife and mother.

Glancing at her favorite magazines at the Glama-Rama only seemed to confirm what Mom knew in her heart to be true- that love, marriage, and children is The career for women.

vintage Housewives cleaning family 1950s

“Yes,” she would read, nodding in agreement “for today’s homemaker her home is her castle.”

1950s Housewives chores cooking laundry

“Snug within it she basks in the warmth of a good mans love…glories in the laughter of healthy children…glows with pride in every new acquisition that adds color or comfort pleasure or leisure to her family’s life.”

“And, she’s always there! She’s an up to date modern American homemaker.”

Breathing in deeply of the beauty parlor air heavy with the cloying sweetness of perfume diluted by the acrid smell of singed hair, Mom sighed contently.

Home Work

1950s housewife roles

Of course, the gals all agreed, some poor mothers had to work to provide for their families.

The big talk that day that set tongues wagging concerned Shirley Birnbaum who was pregnant and planned to go back to work as a teacher after she had a baby!

“But the ones I’d like to talk about,” our neighbor Estelle Wolfson said between puffs of her Parliament  pointing to an article in one magazine, “are those who feel that household and community activities are for “squares.”

The curler clad ladies nodded in unison.

Can This Marriage Be Saved

housewife sexist ads

By the fall of 1960 there had began to appear some quiet rumblings among some unhappy housewives across the country.

Now and again Mom would read an article, usually in the Can This Marriage be Saved column, about those few unfortunate women who felt stifled and lonely in their marriage.

Feminists” or anyone who couldn’t find fulfillment in the Lady Clairol colorful cold war world of carpools, cookouts, cream of mushroom soup casseroles, and catering to contented children and happy-go-lucky husbands, were disturbed.

Flipping through one magazine, she noticed that September’s Redbook offered a $500 prize for the best essay on “Why Young Mothers Feel Trapped.”

It triggered an unexpectedly large response 24,000 entries.

sexist ad family 1950s

Another magazine, Good Housekeeping   also tapped into this vein of unhappiness with a September article of its own. “I Say: Women Are People Too.”

The article caught Moms eye.

It noted “a strange stirring, a dissatisfied groping, a yearning” by American women, a sense that there must be more to life than raising children and maintaining a clean comfortable home.

The magazine urged its readers to overcome their malaise by taking charge of their lives. “She can’t live through her husband and children.” It said of the typical housewife. “They are separate selves. She has to find her own fulfillment first.”

Housewife 1950s

The author of the Good Housekeeping article was by another Betty, Betty Friedan, a 39-year-old freelance writer from NY suburbs

Friedan was asked to assemble a booklet for her Smith college class 15th reunion in 1957. She sent out questionnaires expecting to be inundated with cheerful stories about successful careers and young families. Many classmates responded with tales of depression and frustration. It was Friedan’s first clue than many thousands of women shared her own dissatisfaction.

The Smith questionnaire inspired her to undertake a detailed examination of what she called “the problem that has no name” interviewing hundreds of women in NY Chicago and Boston.

The Good Housekeeping piece sprang from this research. She had started a book manuscript by Oct 1960.

The book entitled The Feminine Mystique wouldn’t be published until 1963.

 Duz She or Duzn’t  She

vintage laundry ad illustration housewife 1950s

Mom dismissed these grumblings and put down the magazine.

She never felt constrained.

She saw her life as full of choices after all she as free to choose- automobiles, clothes appliances and supermarkets.

Freedom was all around her.

1950s housewife illustration

Suddenly she was carefree with her automatic dishwasher, there was freedom from brushing between meals with Gleem toothpaste, you could relax if its Arnel with new ease of care, sofas covered with Velon plastic, meant she was no longer a slave to delicate upholstery, even her waist whittling calorie curve cuttin’ Playtex girdle promised her new freedom.

And best of all there was freedom to choose from a dazzling assortment at the supermarkets.

Thinking the Unthinkable

Patting her lush brown bouffant coif floating like a gentle cloud above her head, Mom left the beauty parlor happy. With a new recipe for cheese Fondue clutched in her hands and a sure-fire solution for removing ring around the collar, Mom was content. For now my mother Betty would follow in the footprints of another Betty, Betty Crocker, satisfied in her role as housewife and mother. 

The problem that had no name was so unfathomable no one even thought they had a problem. It was buried as deeply as our missiles underground, and would cause the same explosion when they were released.

Copyright (©) 2015 Sally Edelstein All Rights Reserved

 


Operation June Cleaver

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vintage 1950s family sexist ad 51On a recent chilly Sunday women started disappearing from ads, magazine covers, billboards and posters directing readers to Not-There.org. Part of a powerful ad campaign to raise awareness of gender inequality, it was a graphic reminder to women “we’re not there yet.”

It’s a déjà vu for the real housewives of the cold war.

70 years ago images of working women suddenly disappeared from the media and it took them over 30 years to return.

During WWII women might have thought that they were finally there…until they weren’t.

Vintage ads WWII Wacs and 1950s housewife

Women went from serving the country to serving hubby a beer. L) Vintage ad Canada Drive 1944 (R) Vintage Schlitz Ad 1953

One day, dedicated working women were glorified, proudly featured in articles and advertisements; the next they vanished, replaced by dewy-eyed brides, and happy homemakers with nothing more taxing on their minds then getting rid of ring around the collar.

In a blink of an eye women went from serving the country to serving hubby a beer.

But this wasn’t a campaign to raise awareness. It was a tactical decision.

Most of these women didn’t opt out of working; it was more like they were pushed out by Uncle Sam: “Here’s your pill box hat. What’s your hurry!”

As fierce as Uncle Sam’s Rosie the Riveter campaign was  (deployed in WWII to recruit women into the depleted work force) once  victory was in view a decidedly different, equally aggressive, operation was launched aimed at these same women.

WWII Women Postwar kitchen GE

Women transitioned from working woman to homemaker with push buttons ease. (L) Woman war worker -Vintage ad General Electric 1943 (R) Housewife vintage ad

Not unlike like the post war US defense policy, the media went on a permanent war footing against positive portrayals of women in the workplace.

It was now all out war to get the ladies back into their soon to be fully-loaded Kelvinator kitchens and into high heels.

It would be more than a decade until this secret campaign would reveal itself: “Operation: June Cleaver” would be a huge success!

My mother Betty along with millions of other women of the greatest generation would be one of it’s casualties.

All Out War

Vintage WWII Recruitment Poster for Women

Vintage WWII Recruitment Poster

It was wartime.

The patriotism was so thick you could cut it with a knife. Everywhere you looked, posters, ads and articles appeared applauding the resourcefulness and ingenuity of Americas working woman, that patriotic lass who had stepped up to fill the shoes of the boys who had gone off to war.

 

Vintage illustration WWII women work greyhound ad

Rosie the Riveter rides the greyhound bus to her job

No effort was spared to get these ladies out of their homes and into the defense plants.

The campaign orchestrated by  Uncle Sam’s Office of War Information in collaboration with Madison Avenue,  women’s magazines, radio producers and Hollywood, tried overnight to make wearing overalls and operating a lathe glamorous.

When Uncle Sam came calling, these ladies “leaned in” and took over the man power.

Working girls were the new glamor girls and for impressionable teens like my mother Betty it was empowering.

 

WWII Women McCalls

What a difference a year makes. McCalls Magazine went from table setting tips pictured on the left 1941, to a war worker plotting her blueprint for a bomber on the right, 1942. Women were no longer pictured as weak, non mechanical incapable of leadership or unsuited for the challenges of the world.“The day of the lady loafer is almost over.” boasted Margaret Hickey chairperson of the Women’s Advisory Committee to the War Manpower Commission

With the bombing of Pearl Harbor, our very notion of woman’s place was  decimated.

A public more accustomed to seeing their women depicted in dainty dresses while luxing the family dishes, were now being bombarded with images of hardy gals dressed in coveralls and bright bandanas doing a mans job

There was nothing a woman couldn’t do and the media couldn’t stop gushing about her.

You’re No Sissy Now!

WWII Vintage illustration American Women war workers

Typical of these positive ads was one from Kotex.  Geared to high school girls like my mother, it typified the wartime emphasis on female strength: “Remember when the boys used to say that girls were made of sugar and spice and all things nice? Those days are gone forever…you’re no sissy now!…”

Talk about girl power!

For a 16-year-old girl it was all thrilling . All around Betty were wives mothers and older women actively engaged in non traditional work; women who had a feeling of accomplishment proud to be part of the war effort. These jobs gave them confidence and a new sense of their capabilities.

Betty Co-ed

vintage illustration newspaperwoman and  Brenda Starr

(L) Vintage Illustration 1948 by Harry Fredman “Women’s Home Companion” (R) Vintage Brenda Starr Comic Book 1940s

By the fall of 1945 Betty was a college freshman who took her studies seriously.

As editor of Erasmus  High School newspaper she had dreams of being a star reporter for a big city daily. But no sob sister stories for her- she didn’t want to get stuck covering the usual girl beat of weddings and social clubs.

No sir, she fancied herself more as a glamorous foreign correspondent type like Martha Gellhorn one of the greatest war correspondents of the twentieth century and the only woman to land at Normandy on D Day. Married to Ernest Hemingway they traveled the front lines together.

Perhaps, Betty pondered, one day she might even report from the front lines standing by her beau Stanley a Marine serving overseas.

A Fellah Needs a Girl

Vintage illustration Rosie the Riveter WWII

“Hats off to the Woman of the Year” begins this 1942 ad from Mutual Life Insurance, lavishing praise on Americas working woman.

 

Our fighting boys were proud of these women.

Throughout the war, the armed forces newspaper, The Stars and Stripes had been bursting with pride with uplifting, home-front stories of the swell of patriotic cuties in blue overalls and hair bandanas, standing shoulder to shoulder with their men, taking up the load for Uncle Sam.

But as the war drew to a close, Uncle Sam started whistling a different tune, as in a widely circulated War Dept. brochure proclaiming that : “A woman is merely a substitute, like using plastic instead of metal.”

Fueled by fears there wouldn’t be enough jobs for returning servicemen and that Depression conditions might return, the campaign to get women out of the workforce began in earnest. That, coupled with pent-up desires of both women and men to start a family were unleashed, producing an unprecedented idealization of the nuclear family.

The ideal of the family served as a national unifier becoming a symbol of what the American system was all about. It’s what they were fighting for.

vintage illustration 1940s  mother and child

Motherhood and the proliferation of baby images were churned out from 1944-1946. Women were about to be enshrined as wives and mothers .

With the same secrecy of the Potsdam conference, a final meeting between Uncle Sam and his media allies commenced  to clarify “the post war administration of women” and the rebuilding of the American family.

Those same glowing home front stories, now took a more scolding tone accusing these same patriotic girls of doing “unwomanly” jobs and taking jobs away from the returning men.

The Way We Were

collage vintage ads Texaco WWII Work Changes

GI Joe gets his job back ((L) Vintage Texaco ad praising the working woman 1943 . R) Texaco ad 1945 “I’ll be a Texaco service man again when I get home.”

Articles and advertisements began to appear, that seemed to speak directly to the battle fatigued boys overseas. One ad for instance featured a soldier in combat wistfully daydreaming about the peaceful world he has left behind, yearning for the familiarity of home: “I want my girl back just as she is.”

The media assured the boys  the American Dream would be there when they returned, that “life would be just as you left it.”

Including your job…and your best girl.

Blue Print For The American Dream

Vintage Kelvinator ad 1945 family

“… Yes these were the things I was fighting for, waiting for…the soldier asserts.” Vintage ad Kelvinator 1945

No series of advertisements  served up a bigger helping of the post war  American Dream than the brashly sentimental ads of Nash-Kelvinator.

The ads took on the tone of a letter often written by the hometown gal he left behind who had plenty to dream about too.

In this ad from 1945 the soldier pleads that once he comes home:

“…don’t let anyone tamper with a way of living that works so well.”

“Never fear darling,” – his sweetheart writes him back, that’s the way we all want it. Everything will be here, just as you left it, just as you want it…when you come back to me!

And when you come back from the war you will find, just as you left them, everything your letters tell me you hold dear.

….inside in the living room you’ll find your easy chair, your footstool and your slippers, just as they always were each night before you went away to war.

When you come back you will find nothing changed. Those at home promised that. Here in your town your children are still free to sleep and laugh and play…still free to look at the sky, clear-eyed and unafraid…our house still stands lovely as it always was…

“…Yes, back home to the same town to the same job , you liked so much…to the same America we have always known and loved…where you can work and plan and build…where together we can do things we’ve always dreamed of…where we and our children are free to make our lives what we want them to be…where there is no limits…

…where nothing has changed.

And We’ll Live Happily Every After

Postwar promises Kelvinator 750 Scan00232 - Copy

”You’ve said, That’s the America I want when I come home again. Ads promised GI Joe that His wife and son will make life what it ought to be once more.

“That’s the America I fought for…that’s the America I’ll be looking for when I come home.”

The way things were.

But the fairy tale American Dream didn’t include working woman.

I Want My Girl Back Just As She Is

Vintage illustration s WWII Women Work  and housework Overseas, Betty’s beau Stanley worried.

With Victory in Europe nearing, Seargent First Class Stanley began to echo his GI buddies concerns: “Exactly what was getting into these dames anyway?”

Looking longingly at the pin-up of Betty Grable on his Barracks locker, he began to question what the heck they were fightin’ for if all the girls back home had their heads filled with a lot of hot air and plain baloney.

Would the women be willing to return to the home after the war, they worried in unison.

WWII Women jobs newspapers housewife

Even Hemingway was resentful of his glamorous wife Martha Gellhorn’s long absences during her reporting assignments. He famously wrote her “Are you a war correspondent or a wife in my bed? Needless to say They divorced in 1945

Stanley thought about Betty away from home, at college susceptible to all kinds of ideas and nonsense.

He knew she had her heart set on being an ace reporter, solving mysteries and having fabulous adventures. But he didn’t really want her globetrotting around the world in search of sensational stories, not to mention the steamy romances.

And even if Betty did stay at home in N.Y. and get that job as a reporter for a daily paper, he still worried.

Newsrooms were he-man territory. They were smoked filled, grubby joints with spittoons on the floor and racy pin ups on the wall.

He imagined her going out after work with the boys, downing whiskey at some smoky watering hole, staying out late betting on some palooka. This Sergeant First Class  didn’t want his wife  shouting at boxing matches when she should be home darning his socks and cooking a casserole for him. …and taking care of the children.

Back Home For Keeps

vintage illustration housewife and industry factories

The big push back

 

Stanley was right. Back at school Betty’s head was being filled with all kinds of ideas and nonsense. But not what he feared.

Operation June Cleaver had begun on the homefromt .

Suddenly it seemed, wherever you turned a fierce campaign was being launched with ominous warnings aimed at the modern women.

WWII Women work postwar driving

It was now important to keep your man in the drivers seat. It was soon feared that the masculinization of career women would drive him away.

The women’s magazines once filled with glowing stories of courageous women  were now filled with  threatening articles implying that careers and higher education were leading to the masculinization of women with dangerous consequences to the country, the home, the children.

If a woman held an important professional position, they implied, she would lose her womanly qualities affecting the ability of the women as well as her husband to obtain sexual gratification!

And if a career woman had children, watch out.

She turned them into “juvenile delinquents,” “criminals” and “confirmed alcoholics.”

Or worse…she could end up an old maid.

The Tide had Turned

collage vintage WWII Women Wacs and 1950s  Housewife

(L) Vintage Magazine cover Colliers 1944 (R) Vintage Tide ad

 

With victory the tide had turned against working women.

Gone were the ads telling women they could do anything a man could do. Gone were the ads congratulating women for performing double duty on the homefront so brilliantly.

Instead ads began appeared affirming  the new conventional wisdom – there was no more important job than wife and mother.

WWII Women 7up  career family

7-UP ads ceased claiming it would produce a good disposition in women in order to win a better job as the ad on the left proclaims, to boasting the beverage would help them be happy homemakers and bring good family cheer.

 

Up In smoke

WWII Women war and brides

Womens aspiration would soon go up in smoke. During the war Chesterfield had frequent ad supporting military recruitment and factory work. By 1946 they featured a bride.

 

Nuclear Family

Vintage illustration American family 1940s

The ideal of the family served as a national unifier becoming a symbol of what the American system was all about.

It’s what they were fighting for.

After Rosie the Riveter finished her stint on the assembly line, Uncle Sam wanted her to keep up the same wartime production…only this time, in bed.

Family was about to go nuclear.

vintage illustration babies

Here Come the baby boomers Vintage ad Swan Soap 1945

 

Ashamed at even thinking of being a career girl, Betty worried not only had she lost  femininity, but whether Stanley would  leave her when he returned?

Betty felt so dull and droopy.  Now all she could dream about was marriage and a warm and cozy home together, just like she and Stanley talked about.

With Victory here all thoughts turned to the future.

Post War Promises: Occupation:Wife

Vintage ad Wife Insurance 1946

There was no more important job than being a wife and mother. So important in fact that in 1946 The Penn Mutual Life Insurance Company offered “wife insurance” in case the poor widowed hubby was left having to cook, clean, shop, do laundry, …etc for himself!

Like many war born romances Betty’s relationship with Stanley soon fizzled out.

But in the fall of 1945 with a post war bounce in her step, Betty returned to school more determined than ever to excel, clear in the things that were really important.

She came to the realization that the highest value and only real worthwhile commitment for a woman was the fulfillment of themselves as wives and mothers.

A barrage of books and an onslaught of articles  bombarded the media convincing women to stay home. Working women became the target of vehement attacks by academia, industry and politicians. In fact now the  conventional wisdom was that women who wanted to continue working outside the home were neurotic.

collage magazine covers contrating WWII Women work covers and illustration of mother and child

Women’s magazines soon replaced the WWII working girl with a loving Mother who became the reigning cover girl for years, solidifying the only real worthwhile commitment for a woman was the fulfillment of themselves as wives and mothers. L) McCalls Cover 1942, (R) Ladies Home Journal cover 1946 illustration Al Parker

In her Junior year in college a crippling cloud of pessimism had drifted over the fate of the modern American Woman and the American family.

According to a 1947 bestselling book both were in dire danger.

In sociology classes all across the country earnest student like my mother cast aside Margaret Mead and devoted college papers to a dense cerebral book co authored by Marynia Farnham and Ferdinand Lundberg, a shrink and sociologist, called Modern Woman:The Lost Sex.

Vintage sexist illustration 1950s hero husband

If there was unhappiness and uncertainty in modern life they wrote, it had a sexual reason: modern woman had denied her femininity and her womanly role.

Only by accepting her place as wife, mother homemaker and by erasing her “masculine aggressive” outside interests would woman be content. Women who avoided this natural state were “neurotically disturbed women”.

Feminism was, “at it’s core, a deep illness.”

Mission Accomplished

collage cover Saturday Evening Post WWII Rosie Riveter contrasted with 1950s Housewife Cover Girl

Operation: June Cleaver – Mission Accomplished. (L) Vintage 1944 Saturday Evening Post Cover of Rosie the Riveter illustration by Robert Riggs (R) Vintage 1955 Saturday Evening Cover – illustration by Steve Dohanos

Operation June Cleaver was a success! Mission Accomplished!

During the post war years, the Culture of Containment was not just a foreign policy but applied to women and their identities as much as it did to the Soviets. Women were to contain their aspirations

It would be a long fifteen years before another, young Jewish woman named Betty, would step forward and write about “the problem that has no name.” So for now my mother Betty would follow in the footsteps of yet another Betty, ol’ reliable Betty Crocker, and become the perfect homemaker.

 

Betty-Crocker-Betty- Friedan

A tale of 2 Betty’s (L) Betty Crocker Vintage Ad 1950s (R) Betty Friedan

 

Copyright (©) 2015 Sally Edelstein All Rights Reserved

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The Mad Men of Madison Avenue Get Real

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1970 teen and 1950s  housewife

Like many parents in 1970, the gulf between Mad Men’s rebellious Sally Draper and her uptight and out of touch parents has grown as wide as the Grand Canyon, that great natural chasm  that Sally might visit on her summer teen tour.

At the same time, the real Mad Men of Madison Avenue were working overtime to close that generation gap by producing ads that appeared “relevant,” distancing themselves from the cop-out generation that produced war, prejudice and greed.

If the free-thinking generation of anti establishment kids didn’t dig uptight Madison Avenue, then Madison Avenue had to show them they could get down and “tell it like it is.”

1960s coloring in the lines

No more coloring in the lines. By 1970 the grey flannel suit gave way to the powder blue leisure suit, as advertising itself was swinging to a different beat .

By 1970 Madison Avenue went on a teen tour of its own to attract the youth market.

By donning their colorful silk neckerchiefs and groovy bell bottoms the creative ad men assured their clients that their agency was tapping into the cultural zeitgeist, keeping it real by shifting their focus to the groovy, individualistic now generation of consumers.

1970 Identity Crisis

Sportcasters Shoes sent out an SOS to the reader to help them through their “identity crisis” by offering a name for their new line of fabulous fall shoes. 1970 ad

At times it seemed the manufacturers were having their own identity crisis.

Trying desperately to bridge the generation gap, these middle-aged men sporting mutton chops and Fu-Manchu mustaches in order to appear hip, shamelessly sought out the youth market with sometimes laughable results as they attempting to make their establishment products hip to the very anti establishment, anti materialistic teenagers committed to doing their own thing.

Marketing in the Age of Aquarius provided some astronomical profits in return.

cover Seventeen Magazine April 1970 featuring Peter Max designs

April 1970 issue of Seventeen, featuring out of this world fashion by Peter Max the high priest of consumerism and counter-culture

Where better to target teens than in Seventeen magazine a publication devoted to their very needs and desires. The inch thick wish book of teen fashion, style and beauty was the undisputed authority, sanctioning looks and desires for the sassy non-conformist 1970 teen.

Encouraging teens to “Be an Individualistic! Go where the experience awaits you !”the magazine was a kaleidoscope of psychedelic colors and catchphrases, filled with ads hawking the same products they had for decades only now catering to the readers individuality, rebelliousness and hedonism, while incorporating relevant trends like women’s lib, Vietnam and ecology.

Our own tour through the April 1970 issue of that teen bible features a first ever fashion layout by Peter Max described as “the pied piper of effervescent young ideas.”

What’s Your $ign

1970 Peter max ads Clocks Funbrella

L) Peter Max Electric Clocks from General Electric “The absolutely wild, wonderful way to tell time.” (R) Peter Max for Right Guard Funbrella “You’ll be swingin in the rain with this original Peter Max Funbrella designed exclusively for Right Guard. Wild colors, groovy designs only $3.95 and proof of purchase.’ 1970 ad Seventeen

No one combined peace, love and commerce better than Peter Max. The former Madison Avenue wiz kid was a wizard of marketing, . His ubiquitous designs of heavenly influences could be found everywhere from clocks to clothes, all espousing harmony love and Max-imum good vibrations.

No doubt his horoscope predicted major profits.

 Fashion to the Max

1970 Peter Max Fashion

Cosmic Tricks- Peter Max goes astronomical with his head in the clouds and heavenly angel wear etched on his mind. A 2 part knit with double-faced portrait ( it’s Peter- see the mustache?) in profile on skirt. Fashion from Seventeen Magazine 1970

Peter Max was a one man design explosion with his interplanetary, hearts and stars and whimsical flourishes, all marked with merry Max-isms. “His creativity burst into fashion ( for the first time)  in the pages of Seventeen,” the article gushes “and practically paints the whole issue in the warming colors of peace and love.”

A Galaxy of  Mod Max Fashion

1970 Peter Max Fashion Seventeen Minis

“Love is in the stars, blinking pinks on a knit harmony happiness and balance.” Peter Max fashion Seventeen Magazine 1970

 “Multiplex minis by Max! Zap! Here’s Peter Max splashy phantasma graphics on little knit cut-ups.”

 

1970 Peter Max-Seventeen-Inner Peace

(L) Hop to in a skippy scrambled legs petaled pantyhose pace in a myriad of colors

 “There are no gloomies in Peter Max land-just twirl the cheeriest umbrella this side of cloud 9 and see the smiles Inner Peace is achieved by stretching deep into the environment we feel Max-imum vibrations beneath the surface as Peter puts his stamp on weightless body stocking. The cling-a-ling all in one zings with colorworks.

1970 Peter max Fashion

“Colors play a game in mixed Max media. All you need is love for a spectrum of sweatshirts.” Peter Max Fashion and accessories Seventeen Magazine 1970

All you need is Love

 Color Me Groovy

1970 Lady Esquire Shoe Coloring ad

Lady Esquire Shoe Coloring offered a “Change the World Contest” Submit your grooviest design ideas and win a $3,000 Pierre Cardin wardrobe. Vintage ad 1970 Seventeen Magazine

Trying to attract a younger audience for their shoe polish ( now rebranded shoe coloring) Esquire was no longer just for your establishment Dad’s corporate wing tips or your Moms died to match satin pumps.

With Lady Esquire Instant Shoe Coloring – you could be creative and make your whole world a coloring book in groovy colors like Cop-Out Copper, Butter Up Yellow and Groovin Green.

“So you’re out to change the world,” the ad begins. “We can do it together. Turn the world Mad Magenta, color your shoes, go onto boots, belts, bags buttons.”

Do Your own Thing.

Rit Color vintage ad

Vintage Rit Fabric Dye ad 1950s

Rejecting tradition, these teens would rather die than end up like their uptight cookie cutter parents.

Old reliable Rit fabric dye found a whole new generation of consumers.

No longer just for Mom’s organza curtains, or that new shirtwaist dresses, with a bottle of familiar Rit fabric dye you could create a total tie-dyed world.

1970 Rit Tied Dye ad

1970 Rit Ad features simplicity patterns for some groovy threats as shown on model Cheryl Tiegs.

A fad was born.

For the ultimate do your own thing kind of chick there was Rit’s “Splash and Dash” a companion to tie dye. No matter what you do, the ad promised, “ it’s exciting, it’s unique …it’s you. A real original original.”

The ad featured some far-out fashions from Simplicity Patterns suggesting “You not only sew the dress…you print the fabric too! Splash dyeing with Rit is the fun fad of the year…..yet no 2 are alike.”

Unleashing your inner Jackson Pollack was never so easy.

“Take a small paint brush and dip it in Rit. Then let it drip on the fabric. You can flick your wrist sprinkle freely or move it in a patterned movement or paint with brush on long free form strokes or use a squeeze bottle to squirt the Rit.”

 A Charmed Life

1970 Monet Ad Hippy Girl

Vintage Monet Ad – 1970 Seventeen Magazine

Hoping to charm a new generation of consumers. Monet jewelry went out to prove that even a non materialistic hippy chick could still dig that 1950’s charm bracelet.

A frequent advertising device was to simply slap on a leather headband on a pretty model and instant hippy.

This Woodstock wannabe is incongruously still sporting a charm bracelet, an oh so feminine piece of jewelry, dangling with the decorative pendants and trinkets that chronicle the small moments in a life. Unless Monet intended to create trinkets marking a first acid trip, Grateful Dead concert or a miniature gold protest sign, its success seems doubtful.

Free To Be Me

Vintage Kotex ads 1960, 1970

From Carefree to Free To Be You and Me. (L) The New Look of Confidence- Kotex ad 1960 (R) The Fussless Generation by Kotex vintage ad 1970

On the cusp of women lib, girls wanted liberation too and Madison Ave was happy to oblige offering 2 New Freedoms – “better ways to be free to enjoy being a woman.”

Kotex sanitary napkins beckoned the liberated teen to catch up and become part of the hassle free generation. This was the new, newer look of confidence.
Getting your period was a hassle, man. But now with Kotexs New Freedom there was no hassle . Out went the old-fashioned sanitary belt.
Beltless, pinless and fussless, Kotex offered these revolutionary self adhesive napkins, No compromising and no bulging, no embarrassing…just flush it and forget it. (though the environment might not be so forgetful)

Free Love

1970 Massengill ad

The Freedom Spray from Massengil! “New Freedom. It’s a better way to be free to enjoy being a woman.” Vintage ad 1970 Seventeen

Freedom was all around these girls; raising their consciousness, they were free to love and free to be you and me. Young women were shucking their inhibitions along with their bras. It may have been the dawning of the age of Aquarius but it was also the dawning of the age of FDS.”Being a girl was never nicer…than now…in the age of FDS. ”

Feminine hygiene spray was no longer just for married ladies; it was the now experience to show the world you’re with it!

Let it All Hang Out

1970 scales Counselor ad

Counselor scales in 12 op art designs in bold vibrant, Now colors! Vintage ad Seventeen Magazine 1970

The way out weighs in! Exercise your option to lose weight even if being slender wasn’t really optional…fatso!

Keepin’ It Real

1970s hippy girl reading a book

This was the age of peace, love and polyester

Madison Avenue knew it was important to harmonize with the world and keep in tempo with whats real. Nothing said  back to the earth authenticity like a non biodegradable polyester/ peasant blouse made from petro chemicals. They may have been wearing polyester but they were down to earth in their hearts.

The Now Generation Makes clothes for the Now Generation

 

1970 vintage fashion ad Polyester Quintess

Groove through the looking glasses for 2 eye-catching knits of EZ care Quintess polyester. In get-him-and-keep—him-colors. Vintage ad 1970

Environment Clothes for the Environment Hassle Free Polyester

1970 fashion

Vintage ad 1970 Seventeen Magazine

The environment was on everyone’s mind.

In April of 1970 millions took to the streets, auditorium to demonstrate for a healthy sustainable environment in. What better way to celebrate the first Earth day than protesting at a rally in crinkly polyurethane coat

Organically Beautiful

1970 beauty face powder

“ Cornsilk is the makeup that contains formerly living organic materials from the earth. We think Corn Silk goes so well with other organic things. Like Women.”

Even back to nature chicks needed to powder their meaningful teenage noses. Corn silk brand makeup came to their rescue. When corn wasn’t being used for high fructose corn syrup it was pressed into service as face powder.

Tellin It Like It Is

1970 stationary SWScan04699

A really cool medium to communicate major truths beautiful thoughts and the stuff of dreams.

Write On!

Hallmark got hip with their stationary making it easier to get down and tell it like it is!  “The great new writing paper that’s half the message. Extrasensory colors in madly relevant designs.

Flower Power

1970  soldierwith flower in gun

“Send a sample to the different drummer with a gift card signed: From the girl who plays along.” Vintage ad Bravura Cologne 1970 Seventeen

With war protests spreading across campuses, Bravura Cologne made this offer “If your guy has a mind of his own then he’s a man who hears a different drummer and deserves a mini bottle of Bravura, the different cologne. ”

This ad appeared one month before the tragic protests at Kent State  when Ohio National Guard fired into a crowd killing 4 and wounding 9  students. Sadly, there was not a “different drummer” among the soldiers that day.

Copyright (©) 2015 Sally Edelstein All Rights Reserved

 



How to Spot a Feminist

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Vintage illustration buiness men as trophys

Hunting Down a Misogynist

Clutching their dusty, out of print copy of “The Misogynist Field Guide to North American Feminists,” many took to twitter at the urging of a conservative radio host, using the hashtag #HowToSpotAFeminist in pursuit of this latest sport.

After conservative radio personality Doc Thompson sent out a message tweeting “Any tips on #HowToSpotAFeminist, twitter exploded with sexist tweets , the hashtag sparking an angry debate about feminism.

Predictably mocking feminists as whiny, unattractive and unable to attract a man, these hackneyed tropes seem straight out of an episode of Mad Men where jokes were cracked about meetings “being bitch sessions, strictly consciousness lowering” a clear jab at  the newly formed women’s lib.

1970 Womens Lib  illustration

“Lib Poster” Illustration from Newsweek Magazine 3/23/70 Women in Revolt

Now 45 years after the women’s liberation movement stormed onto the scene opening a floodgate of discourse about women’s rights, it’s déjà vu all over again.

Ironically because feminist ideas are so taken for granted, few women think of themselves as feminists. Just as the right has demonized liberalism, so the backlash has convinced the public that feminists are the true American scourge.

The modern aversion to the word feminism and the archaic  clichés of feminists as male bashing, make-up-less, angry and non domestic are the very same stereotypes perpetuated by the media during  the burgeoning women’s liberation movement of the 1970’s.

With more dissatisfaction among women regarding huge gender disparities in pay and advancement, along with sexual harassment at work,  women  began to revolt.

Women in Revolt

1970 Women Lib Newsweek Cover Women in Revoly

Newsweek Cover March 23, 1970 “Women in Revolt” Cover Photo by Richard Ley

In 1970 as the national women’s movement gathered steam, Newsweek magazine’s all male management decided to put feminism on their cover, featuring a lengthy article entitled  Women’s Lib: The War on “Sexism.”

A new specter is haunting America,” it announced ominously – the specter of militant feminism. Convinced they have little to lose but their domestic chains, growing number of women are challenging the basic assumptions of what they consider a male-dominated society.

1970 Womens Lib Newsweek 1970

Women’s liberation, members demand full rights for the once frail sex: A new American dream for the 70’s. Newsweek Magazine 3/23/70 Photo by Howard Harrison-Nancy Palmer

Right off the bat, the magazine offers an explanation why a woman was writing this feature, a job usually best left to a man.

In an age of social protest the old cause of U.S. feminism has flared into new and angry life in the women’s liberation movement. It is a phenomenon difficult to cover; most of the feminists wont even talk to male journalists who are hard put in turn to tell the story with the kind of insight a woman can bring to it. For this weeks coverage Newsweek sought out Helen Dudar, a topflight journalist who is also a woman.

1970 Feminist stereotypes

1970 negative stereotypes of feminists as karate chopping, bra burning, male hating women in desperate need of shaving their legs still persist.

Forever solidifying the stereotype of the feminist as unattractive, combative and a women in need of Nair, the article offered the reader its’ own guide to spotting and identifying a feminist .

Plunging into the movement can mean a new lifestyle,” the article explains. “Some women give up make up; a lot of them fret over whether to give up depilation in favor of furry legs; A few of them are bouncy looking lot, having given up diets and foundation garments.

Femininity vs Feminism

1970s Feminism text

The image of the  unattractive feminist stuck.

By mocking and dismissing the way feminist activists looked and behaved, they reinforced the same notions that sometimes sexual objectification and subordination were just fine.

1970 Germaine Greer feminist attractive

Though eager to shed many of the holdover trappings of the 1960 femininity, the backlash against feminism was filled with cautionary tales about what happens to women who are too outspoken and too much freedom. (L) Germaine Greer, an attractive Australian journalist and theorist was a major feminist voice in the 20th century who was palpable to men (R) The liberated lady could still swing to a new beat in a bra and girdle in this 1970 Maidenform Ad

Unless you were a saucy feminist like Germaine Greer, the media noted, a libber that even men liked with her easy charm that distinguished her from her militant sisters, you could count of being pretty lonely.

You’ve Come a Long Way Baby

Vintage Virginia Slims Cigarettes Ad 1971

Vintage Virginia Slims Cigarettes Ad 1971 Women could celebrate their own slim cigarette

 “And virtually all of them in the movement light their own cigarettes and open their own doors,” the article continues.

“Chivalry” is a cheap price to pay for power, one lib leader commented. In any event the small masculine niceties now appear to liberationists as extensions of a stifling tradition that overprotects women and keeps her in her place.

Male Chauvinist Pigs

vintage illustration woman secretary being gazed at by her boss

The male gaze

A favorite negative stereotype was the hostile, humorless, man-bashing, sexually uptight, karate-chopping libber who saw male chauvinism at every turn.

Newsweek explained:

Among the man things that incite movement women to fury are the liberties men take in addressing them on the street-whistles “Hey Honey” greetings, obscene entreaties.

Casual annoyances to the unenlightened, this masculine custom becomes, in the heightened atmosphere of women’s liberation, an enraging symbol of male supremacy reflecting mans expectation of female passivity and more important, his knowledge of her vulnerability.

1970 Womens Lib Karate

Photo Newsweek Magazine March 23, 1970

We will not be leered at smirked at, whistled at by men enjoying their private fantasies of rape and dismemberment, ” announced a writer in a Boston lib publication.” WATCH OUT. MAYBE YOU’LL FINALLY MEET A REAL CASTRATING FEMALE it boldly announced.

Her point was part of a plea for the study of karate a fashion that inspires men to helpless ho-ho-hos’s.

The lib view is that most girls discouraged from developing their muscles grow up soft and weak and without any defense reflexes to speak of. A little karate can go a long way in a woman’s life, according to Robin Morgan, a poet a wife a mother and the designer of the movements signet- a clenched fist within the circle of the biological symbol for female.

In the new feminist doctrine karate is not merely a physical or psychological weapon, It is also political if you agree that rape is a political act.”

Thus the karate-chopping libber became forever part of pop culture.

Hai Karate

In an odd coincidence, karate was already part of the pop culture landscape in a series of ads run by Hae Karate After Shave, but here it was the man performing karate to defend himself against his sex crazed girlfriend ( or even his own wife ).

 

Hai Karate After Shave  ad

Hai Karate After Shave ad 1969

Hai Karate ran a campaign offering a small self-defense instruction booklet sold with each bottle of after shave to help wearers fend off women. The notion being that the aftershave would turn women into wild maniacs who couldn’t wait to attack  you.

“New Hai Karate is so powerful it drives women right out of their minds, That’s why we have to put instructions on self-defense in every package.”

Newsweek Women in Revolt

office secretary 1970

Ironically, as Newsweek planned this issue on Women’s Lib, they were oblivious to their own staff of women in revolt.

As the rumblings of the embryonic women’s movement began to be heard in 1970 , some women in the workplace began quietly grumbling too.

With the help of attorney Eleanor Holmes Norton, 46 women employees sued Newsweek Magazine for sex discrimination, charging it was a segregated system of journalism that divided the work solely on the basis of gender .

The magazine’s well educated highly qualified women were no longer satisfied answering phones and checking facts for its male staff of writers and editors. When it came to writing they were forced to hand over their reporting to their male colleagues.

Newsweek’s News Hens Sue

Meeting secretly, the group of women  teamed up with a women’s rights lawyer challenging the sex segregation jobs, becoming the first group of media professionals to sue for employment discrimination based on gender under Title VII of the Civil Rights Act.

The night before the issue hit the newsstands the Newsweek women sent a memo announcing a press conference.

Media savvy, the women journalists called a press conference, filing the suit on March 16, 1970 the same day their magazine ran. Crowded into a conference room at the ACLU, “Newsweek’s News Hens” as the N.Y.Daily News called them, held up a copy of their magazine whose brightly yellow cover reflected their own story: Women in Revolt.

 

Copyright (©) 2015 Sally Edelstein All Rights Reserved

 

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Driving While Black- Not So Happy Motoring

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Blacks Driving happy Motoring - Copy
Happy Motoring is not something Black drivers can take for granted.

Americans have long been urged to discover the vast greatness of America by car. What many discover especially when driving while black, is the rules of the road are not paved with equality.

See The USA in Your Chevrolet

collage Vintage ad white couple driving  and black man stopped in car by police

“See The USA in Your Chevrolet.” Broadcast in living color on the Dinah Shore Show, Dinah’s classic tune had a different meaning for people of color.

The upbeat, all-American optimism expressed in the vintage jingle “See the USA in Your Chevrolet,” have some American’s singing a very different tune .

As the bitter debate about how our police forces treat non white citizens escalates, it has exposed a truth many minorities already know.

Driving in the USA whether in a Chevrolet or a Honda can be fraught with problems if you are African-American.

One need only look at the recent tragedy of Sandra Bland to see that the freedom of the open roads are a lot more constricting if you are Black.

It can drive you crazy

“America’s the Greatest land of All…”

vintage illustration couple in car

“The wheel in my hands and the air rushing by and the cool crisp smell of a summer breeze…the miles sliding by and the tress flashing past and the sign posts flicker…the song of a motor and the feel of a car and her quiet speed…the joy of being alive.” Vintage Nash ad

Nothing is more quintessentially American than driving on the open road.

It is the tangible expression of America’s love of freedom and mobility with it’s offering of possibilities and adventures unfolding.

A Different Kind of Adventure

collage-vintage illustration happy family in car and police arresting Black man outside his car

But for African-Americans the possibilities and adventures of the road can take a more ominous tone. Racial disparities in police stops are well documented.

Cops stop and search Blacks drivers at rates higher than whites.

Police are more likely to threaten or use force against Blacks at a traffic stop or elsewhere. Blacks are more likely to have their vehicle searched during traffic stops.

Mixed Signals

car chevrolet 58 SWScan07161

The freedom of the road that whites take for granted, is a privilege.

Even a minor traffic infraction can turn threatening  if you are Black.

Pulled over for changing lanes without using her turn signal, the police confrontation with Sandra Bland escalated into an overly aggressive encounter ending with her dead in a jail cell days later.

Clearly the rules of the road are different if you are driving while black.

Copyright (©) 2015 Sally Edelstein All Rights Reserved

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There are No HERO’s in Houston

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vintage ad Texaco mother and daughter walking to rest room gas station

Texaco may have put out a welcome sign…clearly Texas does not!

 

Once upon a time the only fear we had about using a public rest room was whether it was clean or not.

“Nothing is more welcome to experienced motorists than a Texaco Restroom sign,” begins the copy on this 1941 ad, “for they learn to trust it.”

Texaco may have put out a welcome sign,  but for the transgender community in Texas there is anything but a welcome.

There Are No Hero’s in Houston

vintage illustration man and woman reading a map

Residents of Houston Texas won’t need a road map to find a safe bathroom. Vintage Esso map

Transphobic Texans who successfully waged an aggressive fear mongering campaign may be crowing “Your Welcome” to a grateful public saving the resident of Houston from an initiative they erroneously claimed would have “allowed men full access to women’s rest rooms.”

 

vintage illustration little girl headed to restroom gas station

Uh oh, is that a tom-girl headed for the girls rest room? Vintage illustration Texaco Gas 1950s

Fears about who can use which bathroom sent some scared voters racing to the voting machines to vote down HERO an initiative to ban discrimination over factors of gender and sexual orientation.

Those opposing  the law -which aimed to extend civil rights protection in housing, employment and public facilities to all Houstonians- managed to hijack public discourse about the law into a murky world of possible threats posed by sexual predators. and “deviants.”

Houston you have a problem.

Opponents of gay rights legislation are ramping up none too quietly. LGBT community is still vulnerable when it comes to housing,employment and some basic civil rights.

Conservatives are now emboldened declaring that the rest of the country should work to defeat any measure that is similarly deceptive and dangerous.

The only danger here is they may continue to succeed in their very unwelcoming tactics and initiatives.

When it comes to LGBT rights there is no rest until the discrimination stops.

 

© Sally Edelstein and Envisioning The American Dream, 2015. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sally Edelstein and Envisioning The American Dream with appropriate and specific direction to the original content.

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Honoring Our Vets

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WWII Cover Soldiers appeal

This WWII cover of Look Magazine from May 29, 1945 is an appeal signed by the leaders of our armed forces urging the public to buy Bonds during the wars Seventh Loan Drive. Illustration by Frederick Chance

Remembering all the vets who have served our country, and supporting those who continue to do so.


Happy Thanksgiving

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Vintage illustration family at Thanksgiving WWII

A home front Thanksgiving toast during wartime. Vintage ad 1942

Wishing all my readers a peaceful, safe  and happy Thanksgiving!

 

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